演讲人: 我想要向大家展示 自己作为建筑师 [Speaker] I want to show that my work as an architect,
城市设计师 研究者及教育者的工作 urban designer, researcher and educator
与自己曾生活过的城市紧密相关 was very related to the cities I lived in.
我所理解的都市 The urban as I understand
是一种土生土长的文化密码 is locally generated cultural code
如Gandelsonas所说 in which as Manuela Gandelsonas states
"每个城市都孕育了自己的都市风格" "Every city is generating its own urbanity."
我很庆幸自己能从维也纳 I'm very thankful that I was able to learn from Vienna
这座我工作过10年的城市中有所收获 where I worked for 10 years not for 9 years,
这座城市闻名于 a city that it known for
它的建筑和城市复兴的策略 its housing and urban regeneration strategies.
我同样也很庆幸 I'm also very thankful that
能够在新奥尔良工作并有所收获 I could work and learn from New Orleans
在Katrina之后教授城市规划 teaching the urban built grant after Katrina.
那么我想要为大家 So I want to give you
简单介绍一下我的身份 a brief overview about my identities.
我受聘于 During my time as an employee
维也纳的BUS建筑时 at BUS architecture in Vienna
主要致力于家庭办公的试点工程 I mainly worked on the homeworkers pilot project
我们同时也完成了一系列建筑 we also finalised construction,
如一所幼儿园的建筑 the construction of the kindergarten [German]
同时递交了一系列参赛作品 and submitted a series of competitions
都关注城市格局问题 all dealing with the urban scale.
在Ortner&Ortner At Ortner&Ortner
我将精力投入到博物馆区中 I dedicated my time to the Museumsquartier
这对我学习建筑工程学 which was the most important project
非常有帮助 for me to learn about building technologies.
我负责设计 I was designing all the detailing
三个主要博物馆内部样式的所有细节 for the internal skins for the three main museums
并协调建筑过程中的 and coordinated the technical implementations
技术实施 on the construction site.
我在???的工作是处理 My work at [German] was dealing with an urban,
一系列关于城市内可行性的研究 with a series of urban feasibility studies.
有一个项目是 One project was
音乐学院错综复杂的发展 a complex development of Academy of Music
而另外一个则是 and the other one was
我们在一个比赛中获奖的城市总体规划的 a further development of the master plan of
进一步发展 the competition [German] that we won.
这些可行性的研究主要处理 The feasibility studies were dealing with
一种三维结构的概念 a concept of a three dimensional parcel
它并不一定是 that was not necessarily the extrusion of
基底面及其灵活性的延展 the footprint and its programmatic flexibility.
此外我还致力于这样一个理念 Further I worked on the concept that
即公共空间作为城市连接区域的功能 public space as an urban connector unfolds
主要展现在在建筑环节的第一层 in the architectural articulation of the first floor.
同时这里建起的高楼大厦也 Also the high rise building on the site had
明显展现了都市宏观与微观的两个层面 urbanistically obviously a macro and a micro dimension.
我为公共广场内的高楼大厦 I developed a surface strategy for
创造了一套平面策略 the high rise building in the public plaza
5年后我再次看到这一地点时 and was extremely excited
感到非常激动 when I saw the site 5 years later and saw or I realised
我意识到自己的平面图变成了现实 that my skin diagram had really materialised.
我自己的实践工作 My work in my own practice
(同下) Phase 1 Fox El Khafif Nuhsbaumer
主要致力于设计比赛 was dedicated to design competitions
这相较于我们在办公室所作的工作 and much more experimental than the work
更具有实验性 that we did in the offices.
比如广播故事片"看不见的城市" For example the radio feature 'The invisible city'
展现了一幅维也纳的肖像 articulated a portray of Vienna
它用音轨 that just worked through
展示了城市的风貌 the reed of the city through sound tracks.
我们采访了许多盲人 We interviewed blind persons,
创造出了一幅维也纳的心理地图 created a mental map of Vienna
而记录这幅地图的方法 and documented this map
不是通过视觉研究 not through visual studies, through visual aspects
而是通过听觉 做成一幅音频肖像 but through audio as an audio portrait.
凯文林奇的心理地图再令我激动不过了 Kevin Lynch's mental map was never so exciting to me.
最后 我于2000年至2006年 And finally my work at the TU Vienna at the
在维也纳TU Institute for Urban Design and Landscape Architecture
城市设计及景观建筑学会工作教书 where I taught from 2000 to 2006.
在这里 我学到了所有关于 Here I learned all about
维也纳式的城市设计 the Viennese bit of urban design
我在城市中心工作室 and I was coordinating and teaching
做协调和教育工作 the urban core studios working on
工作室主要致力于维也纳各处的宏大建筑点 endless master plan sites all located in Vienna.
我同时任教于Van研讨工作室 I also taught at Van Studios and Seminars
以及空间社会学协会下属企业 Incorporation of the Institute of Spatial Sociology.
在新奥尔良 The work dealing with New Orleans
我作为客座助理教授教书 where I taught as a visiting assistant professor
关于那里的研究于去年发表于 was published last year in
URBANbuild: Local/Global URBANbuild: Local/Global, URBANbuild: Local/Global
这一点Ila之前已经提到过 as Ila already mentioned.
我感到非常荣幸 I felt very honoured
Ila作为Hyatt Grande的理事 when Ila was director of the Hyatt Grande
能够给我在一些工作室任教的机会 gave me the opportunity to teach in the studios
它们都致力于 that were dedicated to
四个街区的复兴 the rehabilitation of four neighbourhoods
它们规模迥异 从城市总体规划 and that crossed all scales from the urban master plan
到由四个试点组成的设计 to the design build of four prototypes.
作为这本书的主要作者 As the main author of the book
她也邀请我作为合著者 she also invited me to be the co-author.
这本书有两大层面 The book has two sides
本市部分记录了一些工作室 a local part documents the studios
以及对新奥尔良这座城市的分析 and the analysis of the city of New Orleans,
而国际的部分 while the global part
将新奥尔良与其他11个水城作出了对比 compares New Orleans with 11 other water cities,
这里的研究是 research that was work
在课程之外分别进行的工作 that we did independently out of the curriculum.
全球矩阵对我们来说至关重要 So the global matrix was extremely important for us
因为我终于理解 because I finally understood
拥有全球性的思维 it's more than critical to think globally
对于成功处理区域性建筑至关重要 when we want to act locally in a successful way.
不断上升的海平面没有国境之分 Rising sea levels don't respect national borders
新奥尔良与阿姆斯特丹的共同点可能比 and New Orleans and Amsterdam may have more in common
新奥尔良与休斯顿的还多 than New Orleans and Houston.
这本书去年在SPUR出版 The book was presented last year at SPUR
我今晚不想就此多谈 and I don't want to talk about it tonight
但我想让大家知道 but I just want to let you know that
它现在也作为数字媒体发表 it is also now published as a digital media
就在www.urbanbuild.net www.urbanbuild.net
网站中也包含了一部纪录片 and that the website includes a documentary
是大卫索肯和我 that David Solkin and myself worked on
在新奥尔良期间完成的 during our time in New Orleans.
对于都市的理解 The understanding of the urban needs
有时甚至经常需要一系列不同的媒介 sometimes or very often a set of different media,
我们采访了一个人 an interview with a person
他作为一处城市建筑的邻居 who's a neighbour of one of the urban built houses
讲述了一个关于Katrina的故事 and who tells his own story about Katrina
而他并不想被记录下来 doesn't want to be mapped.
CCA城市实验室是作为建筑区划领域的 CCA URBANlab one of the three labs
三大实验室之一于2008年成立 in the division of architecture was founded in 2008
而我很荣幸能够经营 and I'm very excited to run the lab
或者说管理这间实验室 or to coordinate the lab
与老师同学们合作 and to cooperate with faculty and students
建立了一套与外界合作的关系网 to build up a network of external partnerships
这在研究和研讨中都有所体现 that unfold in research studios and seminars.
2009年时 我们与 2007 we worked, 2009 we worked together
AIASF为10×10城市展览 with the AIASF on the 10 x 10 cities exhibitions,
绿色挑战和未来行动合作 Green Facts Challenges and futures
去年夏天我与Miia Martinson and last summer I worked with Miia Martinson,
Noah Greia和Mike Riley合作 Noah Greia and Mike Riley on scan
把德国的乡村地区 that compared the rural area in Germany
与世界其他5个大型乡村区域进行对比 with 5 other global mega regions.
这一研究同样在课程之外 This research was also outside the curriculum
先发表于乡村图集 and is currently published in the Rural Atlas
这本图集展现了这一区域的不同层面 that scanned several layers of the region.
最后是OPspace 这是一个研究设计室 And finally OPspace a research and design studio
研究城市空间 investigating the concept of city space shares
分配给空置店面重修的份额 for the reactivation of empty store fronts
关于这一项目 that will be one of the projects
我今晚会再做说明 that I'm going to talk about tonight.
今天演讲的内容 The narrative of today's lecture
基于我的论文 will be guided by my dissertation,
"被搬上舞台的城市化: 在活动型社会时代 because they show somehow that we‘ve ended up
赋予艺术 文化和消费的 "Staged Urbanism: Urban Space for Art,
城市空间" Culture and Consumption
它于2009年以德文发表 In the Age of the Event Society,"
我也并不想把这500页的内容总结出来 it was published 2009 unfortunately in German
但是我想要向大家展示 and it is not my intention to summarise the 500 pages
我所参与过的哪些项目 but I would like to show
促使我写下这篇论文 which design projects I worked on
我又从这些理论 triggerd my decision to write a dissertation
和案例分析中学到了些什么 and what I learned from the theory
我从不把自己当作一个理论家 and the case studies that I analysed.
我写论文是为了了解 I would never consider myself a theorist
城市化过程中复杂的建筑 I wrote my dissertation because I wanted to understand
以及我所理解的社会空间 the complex construction of urbanism and the,
这受不同层面的高度影响 and which I understood as social space
而非仅仅是城市内的已建成的建筑 and that was highly influenced by multiple layers
将中空的设计 not only by the physical materialisation of our cities.
和非物化的空间作为跨学科的研究方法 The design of the void,
让我很感兴趣 the un-material space as an interdisciplinary approach
我的目标是使自己的研究能够指导 became the field of my interest,
一种新的设计方法或策略 my goal was that my research would guide into
今晚的演讲包含了我参加过的9个项目 a new design tactic or design strategy.
除了为我的论文 The lecture tonight consists of 9 projects I worked on.
所收集的素材外 Except for the material
其他都由多名作者合作完成 that was developed for my dissertation
它们也都为公众设计 all of the others were designed by multiple authors
01 设计城市景观 and all of them had been designed for the public.
这是BUS建筑的 01 Designing urban attractors, this is
BUS建筑的家庭办公项目 the Homeworkers pilot project by BUSarchitecture.
是一系列试点工程之一 The Homeworkers by BUSarchitecture
致力于打造基于生活方式的建筑 was one of the pilot projects
鉴于90年代末 dedicated to lifestyle specific housing
BUS在我的母校RWTH Aachen and built at the end of the 90's
的一次演讲中提到这个计划 BUSarchitecture presented the scheme during a lecture
那时我就知道我一定要参与这项工程的 at the RWTH Aachen where I graduated
发展与建筑中去 and I knew that I need to work on this project
它被定为于 and the development or the construction of the project.
研究与建筑实践当中 It was located in
这里的主要轨迹就是 between research and architectural practices
重新思考我们日常活动的空间划分 and the main trajectory was
这代替了每年相当于有两周时间 to rethink the spatial separation of our daily activities.
都被迫处于交通拥堵当中 Instead of sitting more than 2 weeks yearly
因为家庭办公的出现 in a traffic jam
使一种新的住所出现成为可能 because of commuting the Homeworkers
因为不同的单元类型提供了一系列 suggested a new form of dwelling,
不同的单元分割比例和住所与工作场所的结合 the unit typologies offered a series of
住所内部办公 旁侧办公 顶部办公 different unit scales and live work combinations.
以及街区另一侧办公 Work in, work aside, work on top,
多样性在 and work on the other side of the block,
单元的分布 diversity was a concept that unfolded
以及对整个项目的理解中得以展现 in the layout of the units
这一项目被定义为城市景观 as well as in the understanding of programme.
它不仅针对未来的入住者 The project was conceptualised as an urban attractor,
也针对城市环境 a new destination not only for the future inhabitants
建筑元素已经将这一概念解释为 but also for the urban context.
被提升的都市平原 The architectural element has translated this concept
它也通过不同的网络 spatially as the elevated urban plain and
通道和楼梯与街道相联系 was connected to the street through multiple networks,
它的场地由城市提供 pass ways and stairways.
位于Denu的另一端 The site was provided by the city
这一区域的最大特点是 and located on the other side of the Denu
农田的分割 an area that was characterized
不同建筑模式的混合 through the parcellation of agricultural field,
以及邻近地区 a mix of multiple building scales
都是城市项目的分支 and an adjacent neighbourhood
城市规划显示这一地区的覆盖度达100% was a leg of urban programming.
这是由于污染 The urban scheme shows 100% coverage of the site
以及当地建筑的覆盖 due to pollution
相较于无计划的延伸 我们选择了提高密度 and a layering of the local building scales,
以及不同类型建筑的混合 instead of sprawl we proposed high density
项目包含了 and a diverse mix of typologies.
为邻近地区提供商业设施 The programme consisted
采取的形式是超市 out of commercial infrastructure
和一系列的餐厅 快餐店 for the neighbourhood in form of supermarkets
办公区 居住办公一体单元 居住单元 and a series of restaurants and cafes,
储存空间和有生产区的轻工厂 office space, live work units, residential units,
建成的项目有分层 storage space and light industry with production yards.
并针对不同的目标群体 The programme was layered and
这种都市平原被当作了 addressed a diverse target group for the future users.
附近地区的户外区域 The urbane plain was considered
并在广场上以小商店和快餐店的形式 an outdoor area for the neighbourhood
提供了一系列不同的空间划分 and offered a series of different areas and programming
建成后的工程受到了 on the plaza in form of little shops and cafes.
极为正面的评价 The realized project received
无论是在建筑质量上还是在 an extremely positive feedback regarding
使城市多样性变为可能的建筑理念上 the architectural quality and programmatic concept
户外的广场提供了 that supported the initiation of urban diversity.
通道 活动空间 操场和平台 The outdoor plaza offered
然而 passages, niches, playgrounds and terraces,
它所呈现的效果并非我们所想象的那样 never the less
被设计为 it didn't unfold in the way how we imagined it,
空间与城市连接区的区域并不热闹 the urban plain designed
而生活与办公结合的建筑 as a space and social connector was never crowded
被分租给了不同用户 and the life work combinations
被实现的元素诸如高密度 were rented to a different audience.
混合分区 社区空间 The urban criteria realised like high density,
以及多样性的概念 programmatic mix, community space
以及不同分层之间的联系 and the concept of diversity
本应支持 and connectivity that runs through all these layers
社会网络的实现 should have supported
最主要的原因就是这一地点的位置 the initiation of social networks and appropriation.
作为建筑师我们对此无能为力 The main reason was the location of the site
另一原因就是开发商 that was out of our control as architects and
在开幕的前一天重新包装了这一工程 be the fact that the developer rebranded the project
这一工程在设计时是为了吸引 on the last night before the opening.
城市中很特殊的一部分居民 The project was designed to attract
但却从未对这些人做过宣传 a very specific group of urban dwellers
而是被冠以一个新的名号 "高密城" and was never advertised to these target groups
诚然 这一工程有着极高的密度 and received a new brand, "The compact city,"
但更具体的来说 it was true that the project was a compact city
它是针对家庭办公者的高密度城市 but more specifically
而它的包装不应是一个空头名号或口号 it was a compact city for home workers
而应当是这一设计理念的实践化 and the brand was not an empty title or a logo
02 设计有规则的城市布局 but the architectural materialisation of this concept.
1999年我们参加了一个城市规划比赛 02 Designing Urban Rule Sets,
未来之城 1999 we worked on an urban design competition
选址地曾经建有一个电缆厂 City of the Future
很多当地居民受聘于那里 the site was the ground of a former cable factory
它位于一个地铁线路旁 that was an important employee for the local community
比赛要求我们提供一个策略 and was located at one of the metro lines.
能够将已存在的密度 The competition brief asked for the strategy
融合到城市新设计当中 that integrated the existing identity
我们建议建立公共绿化用地网络 into a new design thinking for the city.
形式是一道贯穿南北的绿化带 We suggested a network of public green spaces
和一系列由西向东的 in form of green rivers running from north to south
不同的私人绿化形式 and a series of different private green typologies
现有的建筑被结合起来 in east west direction
而指导这一新地区建筑的理念 existing buildings were integrated
被表达为城市生态 and the guiding concept of our new neighbourhood
被分割的矩阵以及基础设施的网络 was manifested in the notion of urban ecologies.
使得新建筑与环境之间得以和谐 The parcelisation matrix and infrastructure network
相较于引入 allowed a vive between the new text and its context
新的城市版图 and instead of the implementation
我们提供了一系列的 of foreign new urban farm
此区域内的迷你街区 we offered a series of mini neighbourhoods
对于建筑类型的建议 within the site.
在这里用方阵的形式表现出来 The proposal for the building typologies
它允许了不同的密度 was articulated in a matrix
建筑形式 that allowed different densities,
及不同概念上的绿化空间的存在 a variation of housing typologies
三维的绿化空间 纵向的花园 and a concept of very different green spaces,
社区花园 城市农场 庭院式花园等等 three dimensional green typologies, vertical gardens,
我们预见到了自己的胜利 community gardens, urban farms, patio gardens.
因为那时在20世纪末 We saw that we should win
维也纳不像现在一样满是社区花园 because it was at the end of the 20th century and
我们得了一个奖项 获胜计划则来自??? Vienna was not full of community gardens at this time.
而这份提交的计划是唯一一个 We got an award and the winning scheme was by [German]
从完全不同的角度 and this was the only submission
进行设计的 that approached the design
参赛队伍没有提供一个已完成的城市规划 from a completely different angle.
而是提出了城市规则理念 Instead of the articulation of a manifested master plan
它并不去定义城市内的具体建筑 the team suggested urban rules,
而是一个探索的过程 not defining the specifics of the urban farm
城市之肺 城市景观 but a farm finding process,
城市连接地区以及城市传输地 urban lungs, urban attractors
这就是这份提议中所用到的词汇 and urban connectors and urban transmitters.
我对此感到十分的着迷 This was the vocabulary of the proposal
对于一个过程的设计 and I was extremely fascinated.
以及对未来社会干预的铺陈 The design of a process
我在随后的几年里 and the layout for a future social interaction.
记录下了计划的过程 I documented the planning process
也为此写了几篇文章 over the following years
一直到现在 and also wrote several articles about it
我都会把它优先介绍给我的学生 and until today
这一理念的关键 I like to submit this as a precedence to my students.
不是对已确定建筑的设计 The key of the concept
而是将留白作为 was not the definition of a solid
一个新社区框架的定义 but the definition of the void as
所产生的可建设土地 an anchor for a new neighbourhood,
用不同地势予以界定 the resulting buildable fields were defined
以确保公共空间 by a topography of plateaus
多密度混合以及高度的需求 to ensure the definition of public space,
而土地上具体的建筑位置 density programmatic mix and height.
则交由设计师自己决定 The specific location of the building on the field
虽然原计划没有打算 was open to the architects.
定义这一地区的几何分布 Though the initial scheme was never meant to
但最后实施分区规划的队伍 define the geometry of the fields
还是具象化了这一形式 the planning group that developed the zoning plan
而造成了分区的碎裂 continued with this specific pattern
我认为这是此计划的一个弱点 resulting fragmentation,
通过一系列的试点工程 what I would consider a weak point of the project.
这支队伍在 Through a series of test projects
公共空间上不断尝试 the team worked on iterations
公私合作 that were embedded in the open score,
使得这一地区的社区空间 the public private partnership
得到了5%的提升 dedicated 5% additional volume
这对维也纳来说是一个全新的策略 on the site for the design of community spaces
而这对于开发商来说很有利 for Vienna a completely new strategy
因为房地产市场在那时已相对稳定 and this was extremely interesting for the developers
分区规划的设计进程 because the housing market was already sedate.
耗时很多年 而在此期间内 The planning process for the design of the zoning plan
这一地区被作为临时项目点 took multiple years and during this time
建造当地标识 the site was used for interim programming
一部分项目仍在继续 to support the local identity.
并为新的文化活动埋下种子 Parts of the programm continued
例如Poole建筑 and became a seed for new cultural activities,
利用这多出的5%的空间在屋顶建造游泳池 Poole Architects for example
而其他机构将此作为流动空间 used the 5% bonus volume to design a swimming pool
公私合作触发了 on the rooftop and others invested it into flux spaces,
开发商与设计者 the public private partnership became a trigger
为这片新社区创造全新而独特的项目 that encouraged developers and designers to create
03 设计城市活动 a new unique programme for the new complex.
2003年 我被同事告知 03 Designing Urban Events.
Marcus Thomas Ellis和我 2003 my colleague told
被TU大学的建筑系主任要求 Marcus Thomas Ellis and myself had been asked
接下一个很有困难的任务 by the dean for architecture at the TU
维也纳有三所建筑学校 分别是TU to take on a rather difficult task.
艺术学院和应用艺术学校 Vienna has 3 schools of architecture The TU,
那是学校的评估年 The Academy of Arts and the School of Applied Arts,
我们被要求设计一个即将到来的主题展 it was the year of the schools evaluation and
名叫Artdiploma 目标是 we were asked to design the upcoming thesis show
传递TU作为教育者的形象 called Artdiploma with the goal
我们有9个月的时间 一些教学助理 to communicate the TU's qualities as an educator.
需要从赞助商那里 We had 9 months, a handful of TAs
筹集四万美元的操作经费 and had to generate $40,000
最重要的障碍就是选址 for our operating budget through sponsorships.
除了直接的家庭成员 没有人会 The most important fact was the site,
到TU大学的会场来 nobody else other than the direct family members
它没有中央广场那么吸引人 would come into the chambers of the TU
其次 我们需要 that are not quite as attractive as a nave.
与公共空间做出联系 Secondly we needed to create
我和Marcus都致力于城市设计 a dialogue with the public space,
而对于我来说 城市设计 we both were urban design faculty
不应仅仅被翻译为城市整体规划 and for me urban design does not translate
而也可以在小规模的应用上进行操作 or not only translate into master plans
它们可以在场地状况和关系网上被展现 but can also operate on small scale implementations
我们建议项目地点 that unfold in field conditions and networks.
放在曾经作为卫星展览地的 So we suggested the project space
Kunsthalle的主大厅 which is the satellite exhibition space
它就位于TU的旁边 主任同意了 from the main Kunsthalle
而我们已准备好设计展览的概念 and that is located close to the TU the director agreed
Artdiploma主题项目进行了两年 and we were ready to design an exhibition concept.
而我们所需要的空间十分大 The Artdiploma Thesis project from 2 years
项目选择的地点很好 the amount of space that we needed was rather large,
紧邻??? the project space had a great location
但基底面太小 directly adjacent to the [German]
我们设计了一条策略 but the footprint was too small.
使得展览得以延伸到公共空间上 We designed an urban strategy
公共陈列室占用Kunsthalle的空间 that expanded the exhibition in to the public space
而展示板和陈列柜使得 the public gallery occupied the space of the Kunsthalle
展览得以延伸到维也纳的干线上 and double sided boards and the showcase created
我们争取到City Lights做赞助商 a display to the main arterial street in Vienna.
因此占用了遍布维也纳的候车亭 We gained City Lights as our sponsors and
而最后我们将展览推广到 occupied bus shelters that were spread through Vienna
公共空间上 如马头墙 and finally we projected the exhibition
广告牌和人行道上 in to the public space on firewalls,
面积的延展是我们首要关注的问题 on bill boards and on sidewalks
但我们的出发点是 the extension of the surface was our main focus
与社会公众产生联系 but the motive was
展览设计为学生提供了 to create a dialogue with the public.
5种交叠的平面模型 The exhibition design offered the students
都与一般设计相关联 5 prototypes of folded surfaces
而公共图书馆被用作展览写下的论文 all in relationship to the common dean format
总体的规划使得学生们可以 and the public library for written thesis.
根据自己所选择的模型 The master plan allows the students
设计自己的展示板 to design their own boards
展览的策划人网络得以拓宽 according to the prototype they selected.
这里就是公共展览中的不同展品 The network of producers for the show was extended.
互相交叠的平面 书架 Here the different displays for the public gallery,
读书桌和City Lights the folded plot, the bookshelf,
候车亭的设计十分复杂 the reading table and the City Lights.
印刷内容随着 The bus shelters were pretty sophisticated I think
白天与黑夜而变换内容 the print changed content
白天的时候 海报会展示 depending on day or night time.
关于展览的通知 During the day the poster shows
这样的内容在候车亭内经常看见 an announcement of the exhibition
但夜晚一来临 something that you would expect from a bus shelter
海报就开始展示 but as soon as night broke
每个学生自己的论文 the poster showed the content of
海报变成了展览的一部分 the individual student's thesis,
我们为每个学生都设计了一张海报 the poster became a part of the exhibition itself.
通过设计 We designed a poster for each student
我们将展示平面的面积加倍 and at the end of the design
整个展览因此得以遍布全市 we doubled the surface for the presentation
这里是Kunsthalle内部 the exhibition was spread through the city.
展览的铺陈 Here's a fine layout of
我可能永远都不会 the exhibition inside the Kunsthalle.
忘记展览开始前的那一晚 I will probably never
我们开始在 forget the night before the opening
已经准备好的重叠表面上贴海报 when we started the mounting of the posters
大家都不太熟练 on the folded surfaces that were already installed and
我们同时也发现了大学内的摄影团 all of us not really having the right skilled hands.
并拍下了学生们向公众展示成果的场景 We also discovered the blue box in our university and
拍成的影片最后 filmed our students presenting the work to the public.
得以在公共空间上映 The movies were finally
Aridiploma变成了露天电影院 projected into the public space,
每个路过的行人都能观看 the Artdiploma became an open air cinema
可以预见 for every pedestrian crossing the [German].
这样的策略创造了一批新观众 As you can imagine
那些永远不会来看展览的人们 the strategy created a completely new audience,
站在展示板前 people who never would have come to the exhibition
看着这样的主题电影 suddenly stand in front of the billboard
下一站就是展览本身了 watching the thesis movie.
我们同时也组织了公共演讲 The next stop was the exhibition itself.
这样学生们就可以展示自己的工作成果 We also organised public lectures
并与感兴趣的观众交流 so that students could present their work
目录册一晚上就卖光了 and to discuss the content with an interested audience.
我觉得这个展览非常成功 The catalogue was sold out in the first night and
因为我们促成了一次 I would think that the exhibition was a real success
关于建筑的讨论 不管是在展览内 since we really encouraged a public discussion
还是展览外的公共空间里 around architecture inside the exhibition
观众们很有兴趣了解 and outside in the public space.
我们所教授的东西 The audience was extremely interested to learn
以及建筑所处理的内容 what we were teaching
我们有时候好像生活在自己的世界里 and what architecture is dealing with.
但当我们想要 We are sometimes living in our own world
为社会公众设计时 but when we are intending to
我们就需要一个公共舞台来让大家了解 design the environment for the public then
2003年Artdiploma不仅成功 we also need to offer a public stage to get informed.
还创造了一个活动品牌 The Artdiploma 2003 was not only successful
这个展览仍然在 but itself created a event brand.
原来的展览地继续 The show takes place or still takes place
他们也依然在使用 in the project space
我们在2003年发展的赞助商网络 and they're still using the corporative entities
那么让我们来看一下 that we developed in 2003.
我刚才为大家展示的三个项目 So let's have a look at the 3 projects
他们非常不同 that I just presented,
但又都将 they are all very different
公共空间理解为社会干预的舞台 but all of them understand
第一个项目中的社会联系与干预 the public space is a stage for social interaction.
体现在公共平原的引入 The interaction within the first project
而Artdiploma则使得 was supported through the element of the public plain,
公共区域能临时被当作城市展厅 the Artdiploma literally colonised on a temporary basis
而未来之城的城市规划 a public space as an urban gallery
则将公共空间理解为 and the [German] master plan
邻近区域的主要构架 understood the public space as
它是我们唯一需要设计的区域 a backbone for the neighbourhood
而不是剩下的空间或基础设施 the only space that we need to design
我同时也学习到 not the leftover space or the infrastructure for cars.
城市设计在我们的理解中可以展示 I also learned that
我们组织空间的方法 urban design unfolds in our understanding
而整个项目都可以在其中的展现方法 how we are strategically organising space
多层空间 and how programme can unfold in it.
这个表格展现了???的研究成果 Multilayered space,
他把自己的学术生涯 this diagram shows a study of [German]
投入到对公共空间的理解当中 who dedicated his academic career
我们可以看到这一公共空间内的项目 to understand public space
经历了一系列翻天覆地的变化 we can see that the programme within the public space
早期的城市居民 went through a series of paradigm shifts.
把这一空间作为必要活动的场所 Early urban settlements
而汽车的引入则将整体规划 dominated space for necessary activities,
变成了基础设施的空间 the car invasion shifted the main programming
在过去的30年 我们可以看到 into space for infrastructure
消遣性活动的增加 and the last 30 years we could observe
21世纪的居民追求 a growth of optional activities and recreation.
公共空间内的社会干预与联系 The citizen of the 21st century is seeking for
在这里我想区分一下 act of social interaction in the public space.
城市活动和活动化 At this point I want to make a differentiation
这第二个术语受到 between urban events and eventisation.
许多社会学家的批评 他们认为 The second term is rightfully highly criticised
被纯粹组织为自上而下 by sociologists who are stating
刺激经济的策略的活动 that events organised as pure top down strategy
使得公共空间变得工具化了 to motivate the economy
我今晚想要向大家展现的城市活动 are instrumentalising public space.
有着十分不同的本质 并且 The urban events I'm trying to articulate tonight
自城市出现开始就是城市生活的一部分 have another nature and are a part of urban life
这里我们看到了罗马的纳沃纳广场 ever since the erection of cities.
在18世纪末期的样子 Here we have the Piazza Navona in Rome
这两个场景出现在同一块公共空间 at the end of the 18 century,
第一个作为一般活动的空间 2 scenes in the same public space
第二个则用于重大活动 first as a space for necessary activities
在炎热夏季的一天 喷泉 and secondly as an event.
使得公共空间内充满水汽 A hot summer day the fountains
整个广场变成一片湖泊 are filling up the public space with water,
变成了每个人都能看到的华丽展览 the plaza transforms into a lake
尽管上层社会的人们坐在马车里 and turns into a spectacle for everyone
而其他人只能看着剧院 though the upper class is sitting in the coach
这是政府定期举行的活动 and the others are watching the theatre
我对于 an event in the court on a regular basis.
公众互动 I'm very fascinated by
和城市生活规划 the initiation of public interaction
在公共空间出现这一概念感到十分着迷 and programming of urban life
读完southern plateaus as a concept of smooth space
我开始相信社会空间 reading the southern plateaus
对城市设计来说是很重要的任务 I started to conceptualise the resulting social space
我们是否可以激发城市化进程? as a real task for urban design,
如果可以的话 空间构成又是什么? can we initiate urbanism?
如果它可以与平滑空间与韵律相提并论 And if so what are the spatial components?
那么就显得有些不可设计了 If it is comparable to smooth space or rhythm
但是我相信 then it seems undesignable
我相信 but I believed in a connection between.
平滑空间与分层空间之间存在联系 Opps, I believed in a connection between
看到Silvana的记谱法 smooth and stratum space
我发现即使是实验性的音乐 having a look at Silvana Bushati's notation
也是从分层空间开始 即五线谱 I saw that even the experimental music
有了这样的背景知识 started in a stratum space the lines of the stave.
我想向大家简单介绍一下我的论文 With this background I want to
因为我对于 give you a brief overview about my dissertation
高度活跃的公共空间很感兴趣 since I was interested in public spaces
我选择了文化选址和周边的城市空间 that were highly activated I chose
作为案例调查 cultural sites and their surrounding urban spaces
和城市规划的主要选择 as a main selection of case studies
论文被分成5部分 and urban programming.
有论题的阐释 The work breaks down into 5 parts,
它假定城市空间 the articulation of my thesis statement
通过多层次展现 that assumes that urban space
也通过这些层次进行设计 unfolds on multiple layers
对于现存理论的分析 and also is designed through these layers,
研究对于空间的跨学科讨论 the analysis of existing theory
具象到空间社会学家的理论 investigated inter-disciplinary approach to space,
我研究文化 specifically reading spatial sociologist.
作为城市复兴工具的作用 I studied the use of culture
包括博物馆的历史性转型 as a tool for urban regeneration
最后研究城市营销的相关理论 including the historical transformation of museums
分析框架的发展 and finally read theories about city marketing.
使得多层次空间理论 The development of analytical framework
得以结合 that allows to integrate
并尝试抓住 the thesis of the multilayered space
空间的次阶产物 and that try to capture
5个案例分析是论文的核心部分 spatial productions second order.
也是第二部分 博物馆分类下包括 The analysis of 5 case studies was the core part
Bilbao Guggenheim and the second part the museums criteria
乌德勒支的博物馆区 the Bilbao Guggenheim,
阿姆斯特丹的博物馆区 the Museumsquartier in Utrecht,
柏林的博物馆岛 The Museumplain in Amsterdam
最后的梗概是为了让我研究 and the Museums Island in Berlin.
或试着发现这些策略 The resume was finally for me to research
是否能够触发城市化进程 or to try to find out if these strategies
要总结所有的内容很难 can help to initiate urbanism.
所以我只想谈到一些 It is hard to summarise the content
对于接下来的工作至关重要的理论 therefore I just want to touch on some theories
矩阵空间理论 that were critical for the work that followed.
经济学家认为 The theory of the matrix space,
空间通过4个层次呈现 the economist stated
物理实现 that space unfolds through 4 layers
计划性占用及活动 the physical materialisation,
将这两层的关系予以定义的 the programmatic appropriation and activity,
组织性框架 the organisational framework that defines
以及最后 与一个物化基地结合的 the relationship between these two layers
文化展示系统 and finally a cultural representation system
它赋予了建筑独特的标识 that combined with the material substrate
更深层次讲 空间通过三种尺度呈现 allows identification and cognitive recognition.
微观尺度 中型尺度及宏观尺度 Space unfolded further in three scales
这四个层次都是所产生的结果 the micro scale, the meso scale and the macro scale.
我把它们归纳为操作层次 These 4 layers were resulting fact,
凯文林奇和米歇尔都研究 I conceptualised them as layers of manipulation.
心理地图的概念 Kevin Lynch and Michel Tripp were both
以及我们所建空间都有多层裂隙的观点 dealing with the concept of the mental map
我们作为设计者创造了城市形态 and that our built space was has multiple rifts,
但事实上使用者只能体验它的一部分 as designers we can create the urban form
这很大程度上依赖于他在此空间内进行的活动 but in reality a user just experiences parts of the form
这样存在于经验中的空间会构建一幅心理地图 deeply depending on movement through space.
或者说是空间记忆 This experience space unfold in a mental map
虽然林奇的研究基于5种空间元素 or the memory of space,
以及框架关系 though Lynch's work builds up on 5 spatial elements
他也清楚的表达了 and the structural relationship
认知与我们的经验息息相关 he clearly states that
但最重要的是 the identification is highly related to our experience
这样的经验对我们是有意义的 but what is important is that
Solvia Molina也说我们需要 the experience is meaningful to us.
把空间理解为一种状态 Solvia Molina also states that we need to
它永远都在建造与改变当中 understand space as a condition
空间是心理地图的沉淀 that is under permanent production and change,
活动 社会活动化和城市活动 space is a sedimentation of mental maps.
都与彼此紧密相关 Events, society eventisation and urban events
???揭露了 are all located very closely beside each other,
活动型社会背景下的范式转变 in places where “history” didn't exist,
西方资金化社会背景下的 [German] uncovered the background
消费市场 that accord the paradigm shift to the events society.
产生了一种新类型的消费者 The sated consumer market
他们的投资兴趣与自己的经历紧密相关 in the western capitalised world
经济问题接踵而至 produced a new kind of consumer
具体来说 博物馆和文化遗址 whose main interest is related to the experience.
与和其相竞争的活动市场发生冲突 The economy followed
市场中 观众就是估价的消费者 and specifically museums and cultural sites
在这样的竞争市场中 欧洲的城市 are confronted with the competing event market
开始为这样的活动型游客开发相关项目 in which the audience became the evaluating consumer.
因为欧盟取消了国境的限制 而廉价的航班 In this competing market cities specifically in Europe
又让我们可以到 are creating programme strategies for event tourists
欧洲的另一边去过周末 since EU diminished national boarders and cheap flights
这在20世纪末期 allow us to spend the weekend
便开始发生于欧洲 on the other side of Europe
维也纳忽然开始与柏林发生竞争 which happened in Europe
哥本哈根开始与巴黎竞争 at the end of the 20th Century,
结果往往各处全年365天都在办活动 Vienna suddenly competed with Berlin
这促使了以市场为导向的活动化 and Copenhagen with Paris.
并且形成了一系列这样的城市 The consequence are often 365 days events everywhere
它们如苏珊范斯坦所说 fostering a market driven eventisation
并没有为旅行者展现城市的原始设计 and fortified cities
我同时也研究 that are as Susan Fainstein states
地区品牌与管理 fails authenticity design for the consuming tourist.
它所遵循的准则 I also got into the counter of
不能与一般产品品牌树立相提并论 place branding and place management
用户太广泛 this discipline can't be appropriate,
产品范围太广 can't appropriate the strategies of product branding
商标无法创造空间标识 the user group is too wide
它是心理地图的创造 the product is too broad and
而正如我之前展现的 the logo is obviously not creating the spatial identity
这样的构建更加复杂 which is the creation of a mental map
地区品牌策略 and which is as I already showed
所研究的是价值的创造 a much more complex construction.
被赋予烙印的地区能够 Place branding strategies are
为这一地区的人口创造新的心理地图 working with the creation of values,
而这样的现象只有在 stigmatised neighbourhoods can create
这一空间内的真实经历得到改变时才会发生 a new mental map for the population
这些策略的实施需要很长时间 when and only then
它们可以通过交流策略被激活 the real experiences in the space is changed.
它们需要被监控 These strategies need a lot of time
而这是通过地区管理的规则显现出来的 and can be activated through communication strategies,
而我最终研究了所有 they need monitoring
与公共空间内都市风格相关的内容 which unfolds in the discipline of place management.
它们由德国的一位空间社会学家记录 And I finally researched everything
他所创立体系 related to urbanity in public space
对公共空间与都市风格的研究影响深远 documented by [German] spatial sociologist from Germany
真正的都市风格 who created a critical body on research
不仅仅需要活动的创办 dedicated to the public space and urbanity.
更需要结合日常生活 Real urbanity needs
这里所应用的标准包括开放 工序 融合 much more than the staging of events
密度 多样性 可访问性和交互混杂性 but the integration of every day life.
它们都是平滑空间的参数 The criterias are openness, process, blending,
我创造了一套分析框架 density, diversity, accessibility and hybridisation
它基于矩阵空间的概念 all of them are parameters of the smooth space.
但它没有将这四个层面 I developed an analytical framework
作为设计产生的结果 that built on the concept of the matrix space
而是作为潜在的设计策略 but considered the four layers
把材料所占用空间作为硬件 not as a pass of result
计划占用空间作为软件 but as a potential design strategy.
潜在的组织性框架作为斡件 Material space as hardware
而文化解码和标识作为品牌件 programmed and appropriate space as software
它们都与所处时代紧密相关并且互相交织 underlying organisational structures as orgware
作为设计者 cultural codes and signs as brandware.
我们不仅可以通过软硬件进行操控 They are all highly related to time and are interwoven
斡件和品牌件策略也可以被应用 as designers
这一分析框架从这四个层面开始 we can operate not only through hardware and software
随后将它们破解为不同种类 but also orgware and brandware strategies.
因为我们都已经很熟悉硬件和软件来 The analytical framework started with four layers and
我在这里就直接开始讲斡件的定义 broke then these layers down into different categories
斡件是在某一地点发生的 since we are all familiar with hardware and software
所有规章制度的总结成果 I might get into the definition of orgware,
它从现存的个人所有市区划分开始 orgware is a summary of all regulations
但同时也适用于机构组织 that are taking place on an specific site.
以及关系网运行方法的理解 It starts with the existing zoning code in ownership
斡件的规律总是存在的 but also feeds into the organisation of institutions
即使有时我们认为它毫无章法 and the understanding of how networks are operating,
斡件可能比我们想象得更为重要 patterns of orgware are always existing
它能够决定 even when we think it is unorganized.
空间的物理实现 Orgware is more important than we think
并协调空间的计划性占用 it is responsible for
街道是留给汽车的 the physical materialisation of space
这件事多么令人称奇 当我们改变了斡件 and regulates programmatic appropriation.
那么硬件的可转变空间 Streets are for cars.
会一下消失 How amazing when we change the orgware
不能再被占用 and there are suddenly without
我们并非区域划分的受害者 any kind of transformation of the hardware
但作为社会成员 是我们创造了这些规则 open for appropriation.
因此在有相关意愿时 可以对其加以改变 We are not the victims of zoning plans
这样的认知在往后的100年里 but as a society we are producing these rules
可能变得至关重要 到那时 and are therefore able to change them if there is a will.
我们最终会面临环境污染所带来的后果 This understanding might be extremely important
我的目标是找到 in the next 100 years when we finally are facing
空间次生产物 the consequences of the environmental impacts.
它应当表现为城市化的具体形式 My goal was to find
和公共空间的建设 spatial production secondary orders
我用框架的方式 that are feeding into specific forms of urbanism
审视了我的案例分析 and the construction of public space.
而把最大的精力放到了博物馆类别中 I scanned my case studies
这样的审视要求我做出深层的分析 according to the frame work
这样的分析一部分来源于采访 and spent most of my time with the museums criteria
和现场记录 the scan asked for a deep analysis
这些案例分析最终 and it was partly produced through interviews
被根据其具体的城市化空间产物形式表现出来 and on site documentation.
博物馆类别中的博物馆区(MQ)城市化 The case studies were finally identified
古根海姆有模范意义的城市化 in their specific forms of spatial production urbanism,
乌德勒支博物馆区的活动型城市化 the MQ urbanism for the museums criteria,
阿姆斯特丹博物馆区的景观型城市化 the Icon urbanism for the Guggenheim,
最后是柏林博物馆岛的 the Event Urbanism for the Museumsquartier in Utrecht,
卫城式城市化 the landscape urbanism of the Museumplein in Amsterdam
这五个案例研究代表着 and finally the Agropolis urbanism
建筑空间的不同类别 for the Museums Island in Berlin.
组建 范围 连接与拼接 All 5 case studies are representing
结果正符合被搬上舞台的城市化的概念 different typologies of built space,
这个词富有争议又蕴藏双重含义 the cluster, the field the solitaire and the collage.
尤其是在德语翻译中 The results fed into the concept of staged urbanism
通过我研究所得出的理论 which is a provocative and double loaded term
我非常关注 specifically in the German translation.
公共空间的工具化 Through the theory of my research
今晚所展现的被搬上舞台的城市化 I'm very aware of
把公共空间理解为我们的舞台 the instrumentalisation of public space,
即社会联系 stage urbanism as presented tonight
干预与参与的发源地 understands the public space as our stage,
如果它不存在 如果它不存在 the initiation of social interaction,
好吧我还是重复一遍 appropriation and participation
是社会联系 if not existing can be, if not existing can be,
干预与参与的发源地 如果它不存在 ok I repeated it,
则可在通过多层次的策略逐渐实现 the initiation of social interaction,
这是城市复兴的专业性实践 appropriation and participation if not existing can be
至少在欧洲如此 implemented through multilayered strategies over time
自上而下与自下而上的平衡 which is a professional practice of urban regeneration
以及对于过程的监管 at least in Europe.
至关重要 The balance between top down and bottom up
今晚我想向大家展现的案例研究 as well as monitoring of these processes
是维也纳的博物馆区(MQ) are extremely critical.
04 设计文化城市化 The case study that I want to show tonight
维也纳的MQ is the Museumquartier in Vienna.
可以被理解为城市的一部分 04 Designing Cultural Urbanism.
这块建筑拼接地有着250多年的历史 The Museumquartier in Vienna
利用???现存的建筑 can be understood as a piece of the city
通过附加的建筑应用 a material collage of more than 250 years of history
建立文化区 utilising the existing fabric of [German]
在城市环境内创造了一种共生现象 and with its subsequent architectural implementations
而非一座文化孤岛 a cultural district that was meant to
这里的规模比较可以让你 create a symbiosis with its urban context
对博物馆区的大小有些概念 rather than being an island.
巴黎的卢浮宫是世界上最大的博物馆 The scale comparison gives you an idea
而博物馆区的大小 about the dimension of the Museumsquartier.
则可以与柏林的博物馆岛相比 The Louvre in Paris is the world's largest museum
这一地区的计划与设计过程 and the Museumsquartier is comparable
花费了20多年 with the Museum Island in Berlin.
并且历经了几次重新设计 The planning and design process of this site
不同的时期在这里用红色标注出来了 took more than 20 years
最初的纲领性空间概念 and went through several stages of redesign.
是在???框架时期写下的 The different phases are here highlighted in red
文化遗址和博物馆 the initial spatial programmatic concept
提供了一系列迥异的项目 was written during the paradigm of the [German]
用于吸引社会中各种目标人群 cultural sites and museums
博物馆区2001年开幕时 正好碰上了 offered a diverse set of programmes
毕尔巴鄂效应的成功 to address all target groups of the society.
它在当时发生 The opening 2001 confronted with
并且向众人展现 活动型社会已经 the success of the Bilbao effect
支配了文化市场 took place in a time
另一方面 各大城市开始发现都市风格 and showed that events society already
作为21世纪的现代生活方式 dictated the cultural market
对于旅客和旅游产业 on the other hand cities discovered that urbanity
是一个非常重要的经济因素 as a modern lifestyle of the 21st Century
对当地人口也具有很大吸引力 was an important economical factor for the tourists,
对于这一地区空间功能转变的分析证明 for the tourist industry
(地名)有理由通过 and an attractor for the local population.
不完整性和永久性的变革崛起 The analysis of the spatial transformation of the site
就最初计划来说 shows that the [German] was correct to rise through
这一地区的建设从未完结 the concept of incompletion and permanent change.
并且经历了一系列 The site was never completed
乌托邦式的概念 in terms of the original plans of [German]
当马作为交通工具已变得可有可无时 and went through a series of
这一地区被变为了贸易展 utopian concepts of the [German]
而在70年代末 when horses became dispensable
又被闲置以备新的发展 the site transformed into the trade show
在计划期间 and was at the end of the 70's
实行了临时方案 vacant for a new development.
并产生了一个永久性的文化产物 During the planning process
计划过程多有反复 interim programme took place
争议最大的一点 and produced a permanent cultural production,
就是历史框架的保留 the planning process went through multiple iterations.
最初的计划包含有一个媒体塔 Main focus point of critique
而它1/3的体积都 were the preservation of the historical silhouette.
延伸自之前马棚的历史框架 The initial scheme included a media tower
一场报社之争 and one third of the new volume was
使它的发展被蒙上污名 extending the historical frame of the old horse stable.
而最后的概念是基于 A newspaper campaign
Ortner&Ortner创立的城市理论 pushed the development into a stage of stigmatisation
它被标识为对于真实的忽视 the final concept is based on a theory of a city
在这一轨迹内 developed by Ortner & Ortner
城市内的社会被定义为 that is identified as the amnesty for the real,
一片多样化的土地 这里有互相关联的权力 within this trajectory that
利益 技术革命 文化表达 urban society is defined as
它们定义了这个系统 a diverse field of interconnected powers,
这片普通的公共三维空间 interests, technical revolutions, cultural expressions
把本区域内所有建筑联系起来 that define a system of forces.
最主要的三个 A publics three dimensional common space
通过几何学得以展现 connects all buildings in the district
它们被铺陈在了公共空间内 the main three, the three main forces are
???博物馆的中轴线 articulated through the geometries
和历史上???广场的通道 that are overlayed in the public space.
第七区的几何形态 The axis of the [German] museums
和历史框架的边界 and the historical connection of the [German] forum,
在公共空间的几何框架内 the geometry of the seventh district was its urban life
一种相连广场的地形被创造出来 and the boundary condition of the historical frame.
它跨越了第七区的区域转换 Within these geometries of public space
从前鲜明的建筑物 created a topography of interconnected plazas
最终被表现为了 that span over the sectional shift of the seventh district
被融合的巨大石块 the former transparent architecture
虽然开幕活动十分成功 was finally articulated as
但MQ的后续发展并没有像预期一样 a monolithic stone completely introverted.
它似乎成为了维也纳的鸡肋 Though the opening events were successful
这一地区被刻上了报社之争的烙印 the MQ didn't unfold as expected
而主要博物馆的剩余空间 and was titled Vienna [German]
没有被填上足够的活动项目 the place was stigmatised to the campaign
然而5年后 这一地区 and the silent volumes of the main museums
却变成了 didn't feed enough programme into the public space,
各国游客 never the less 5 years later the identity of the space
和维也纳市民最重要的目的地之一 had completely transformed into
它也被称为"维也纳的客厅" one of the most important destinations for tourists
后来 正如我所提到的 and the Viennese population
MQ是我参与过的工程 also called "The Viennese Living Room".
而我对于 So what happened as I mentioned earlier
了解这一地区的空间产物非常感兴趣 the MQ was one of the projects I worked on
在这里 建筑表现 and I was extremely interested
只是要素之一 to understand the spatial production of the site
从这时起 我开始分析 in which the architectural articulation
城市化的产物 was just one factor.
直到现在 This was a time when I started to analyse
关于这一现象的书籍才出现 the production of urbanism
现在所有人都可以买到这些书 since there was no book
那时候并没有关于这一现象的著述 written about this phenomenon until now
我需要创造一套研究体系 because everyone can buy this now.
它包括实地采访与记录 So there was no book written about this phenomenon
有一件事立刻变得很明显 I needed to create a body of research
那就是能解决这一问题的作者 consisted out of interviews and on site documentation.
本身就促进了城市化 I was right away, it was right away obvious to me
在某一地点的进程 that every author who solved that
我的兴趣在于寻找关于城市的描述 he or she initiated the urbanism
是它们构成了 that was specific to the site.
博物馆区的蓬勃发展 My interest was to find the urban narrative
我观察了其他空间的 that resulted the vibrant life
连接性与层次 taking place in the Museumsquartier.
建筑群创造了一系列的庭院 I had a look at the connectivity
它们的状况和规模都不同 and hierarchy of other spaces
互相联系并有几个通道 the complex created a series of courtyards
将MQ与周围环境联系起来 with different spatial conditions and scales
这里的硬件明显是 they are all interconnected and have several gates
不同组件的拼接 that link the MQ to the surrounding context.
它首先在形态上与城市环境相联系 The hardware was obviously
其次不仅仅含有 a collage of different fragments that were
物理上的拼接 A. morphologically connected with the urban context
还展现了这一地区上的不同生活状态 and B. did not only consists out of physical
有新有旧 但最终都能被统一起来 as a physical collage
主要博物馆被建筑在 but also reflects different lives of the site,
历史框架当中 old and new within the site and yet identifiable.
承接着三种建筑石材的概念 即 The main museums were implemented into
港口博物馆的砂岩 the historical frame
现代艺术博物馆的花岗岩 following the concept of three monolithic stones,
而Kusthalle的砖块 sand stone for the museum port museum,
则作为仓库的附属 granite for the Museum of Modern Art
在历史框架内 and brick for Kusthalle
Q21的建筑 as an affiliation to the warehouse.
代表次生文化 Within the historical frame
它也被设计为建筑应用的一部分 the architecture of the Q21
可移动的内部装饰和家具 明亮的色彩 that represented subcultures
与庞大的城市几何形态 was also articulated as an implementation
形成了鲜明的对比 removable inner skins and furniture, bright colours
而自从2002年起 creating a contrast with
这一地区又有新的建筑应用 the monolithic urban topography.
它迎来了一件户外家具 And finally since 2002
由一家建筑公司设计 the site received an additional implementation
这件家具由泡沫材料制成 was populated by an outdoor furniture
并形成了第四种建筑石材 designed by [German] architects.
它很小 但同时灵活性强 The piece was built out of foam
并可组成不同的组合 and articulated the fourth stone
随季节改变颜色 this layer was small but flexible
这一设计的优势在于 and aggregated in different configurations
展现出一种灵活的规划 changing its colour every season
历史框架展现出来这一地区的历史 the strength of this layer was
Ansi这一名字根据总监姓名所起 the articulation of a flexible master plan
而它也构成了此地一个总在改变的硬件组成 the historical frame manifests the history of the site
城市形态随时代改变 但永远与这一地点相关 the Ansi named after the PR director Daniella Ansi
建筑应用与改变的概念 articulated a permanently changing hardware component.
从不同的尺度上展现出来 Urban form was dynamic and yet connected to the site.
在这里 使用者的形体 The notion of implementation and transformation
终于与城市和公共空间联系起来 unfold through a range of different scales
建筑应用与尺度的变化 in which the user and his or her body
同样遵循着一个清楚明晰的物化概念 was finally connected to the city and the public space.
而这最终导致了公共空间的占用 Implementation and variation of scales
它不通过几何形态展现 also followed a clear material concept and
而通过几何形态的灵活变换展现 allowed finally the appropriation of a public space,
此区域的设计布局 this was not articulated as a topography
也提供了一种类似的多样性 一种留白 it was articulated as a topography in flex.
这里的展览多种多样 有高雅文化 The programmatic layout of the site
表演文化 次生文化 儿童文化 offered a similar diversity, a spatial condition.
日常文化以及居住文化 The programme ranged from high culture,
这一地区平均常驻有56家机构 performing culture, sub culture, kids culture,
其中高雅文化的区域面积最大 and everyday culture as well as residential programme.
我们在这里可以具体看到 The site hosts an average of more than 56 institutions
次生文化的机构 and the sector of high culture has a larger footprint,
占统治地位的Q21及一些数据 we can see that specifically
此区域内所建立的 the institution of the sub culture
小规模文化企业 and the Q21 the dominant and the number,
平衡了高雅文化的高比率 small scale cultural entrepreneur
大量的快餐厅和饭店 that were producing on site
为每天来MQ的人们提供服务 and balance a high proportion of high culture.
并将这里的活动延伸到 The high density of cafes and restaurants supported
营业时间与博物馆之外 a population who came to the MQ on a daily basis
MQ同时也提供了 and extended the activity outside
一大块可灵活调配的空间 the normal operating hours and the museum.
这包括了一块户外场地 The MQ also offers
这一空间上的活动不受限定 an extremely big footprint of flex spaces
从而保证了区域的多样性 which includes an outdoor areas
同时也保证了活动项目随时间调整 programme in the spaces is not defined
文化区与博物馆的软件层 and can support the diversity on site,
通过大小型的活动 it also allows the adjustment of programme over time.
得到展现 The software layer on cultural sites and museums
每个月举办大约150场活动 unfolds through the programming of
可见MQ是个高活动区 activities and events.
室外空间与 With around 150 events and activities per month
不同的目的地相联系 the MQ's a highly programmed space
2002年夏天 室外空间被作为可调配空间 the outer areas are connected to
每个月可举办高达40场活动 the different destinations,,
我依据不同的活动种类 the outer area counts in summer 2002 as flex space
分析了2005年所举办的室外活动 and offers up to 40 different activities per month.
艺术 文化 儿童活动 商业活动 I analysed the outdoor programming for the year 2005
不同类型的活动 持续性活动 through the lens of different programme categories
重复性活动和大型活动 art, culture, kids programme, commercial programme
我发现室外活动 and different typologies, continuous programme,
衍生出两个主要旺季 MQ夏与MQ冬 repeated programme and the event.
而活动有时同时 I discovered that the outdoor programming
在不同的庭院内进行 created two main seasons MQ summer and MQ winter
这是偶然发生的事情 and that the activities happened simultaneously
而尽管这些活动都经过精心准备 in the different courtyards.
这还是造成了平滑空间的体验 This occurred as random
对于活动的进一步分析 and caused though the programming was highly organised
能帮助认定这些微型的催化剂 the experience of the smooth space.
我发现 在2005年 A closer look to the activities themselves
有9个范本或原型 allowed the identification of micro catalysts.
在一场活动中重复出现 I identified in the year 2005
比如空间作为争议的激发物 more than 9 prototypes
由德裔土耳其艺术家举办的 that were repeated or occurred in a unique event
KanackAttack艺术展 for example the space as a provocation
引起了右翼党派的 the art installation KanakAttack
强烈反应 by the German Turkish artist [German]
他们以一场政治运动 initiated an intense reaction
"维也纳不是伊斯坦布尔"来回应这一活动 in the right wing party of [German]
另一方面 左翼的激进分子 that responded to the art installation
则通过在博物馆区办公共演讲 with a political campaign "Vienna is not Istanbul."
来反对这一活动 Left wing activists on the other hand
他们强调多元化的重要性 countered with this campaign
MQ成为了争议的对战场 with public lectures in the Museumsquartier
但同时也带来了有建设性意义的公共讨论 addressing the importance of diversity
空间作为促进物 the MQ became a forum for dispute
???活动每周六举行 but also for constructive public discussions.
并派生了一系列的次生活动 Space as appropriation
空间引发行动与反应 the [German] took place every Saturday
MQ的管理形成了一个平台 and fostered a series of programmes of second order.
支持本社区内 Space as action and reaction
的活动 the MQ management initiated a platform
现在太极课程由当地人创办 that supported activities
并且每年都有变化 that came from the neighbourhood itself,
空间作为经济体 TaiChi sessions are organised by the local population
2006年诺基亚的广告战 and are changed every year.
可以被认为是对公共空间的滥用 Space as an economy,
但同时 这一天的预算 the advertisement campaign from Nokia 2006
为一名奥地利作家的系列演讲 can be criticised as an exploitation of public space
提供了资金 never the less the budget generated
活动对公众开放 during this one day finance an outdoor lecture series
并引发了 held by Austrian authors.
观众与作者之间的讨论 The events were open to the public
这可能是希腊大会场的现场版了 and fostered the discussion
组织框架 between the audience and the author,
将这一地区的管理定义为三栏 maybe a contemporary forum of the agora.
它将MQ作为艺术空间 生产空间 The organisational framework defines
以及城市小环境 three basic columns for the management on site,
MQ被作为 the MQ as a space for arts as a space for production
一个集合品牌进行操作管理 and as an urban environment.
虽然单个机构之间是彼此独立的 The management of the MQ
室外空间是 operates as an umbrella brand
室外空间和常规空间的共用地 though individual institutions are independent.
这一地区既属于奥地利 The outer areas are,
也属于维也纳 the outer areas and the common space shared space.
是维也纳把室外空间赋予公众的 The site is owned by the state of Austria
组织这些活动的平台是开放的 and the city of Vienna
并包括MQ内的直接机构 who dedicated the outer areas to the public.
以及 The platform that organises the programming is open
它们的合作关系网和周边地区 and includes a direct institution within the MQ
但每个人都可以加入进来 as well as
组织管理者同时也 their partner networks and surrounding neighbourhoods
管理着合作伙伴和赞助商 but everyone could come and join in.
房产合同的形式 The organisational umbrella also
提供了很宽的选择范围 organised partnerships and sponsorships.
为主要博物馆提供长期合同 The layout of the real estate contracts
为Q21提供短期2到3年的合同 offers a wide range of occupations
Q21里的机构能得到租房补贴 long term for main museums and
价格波动和活动变化 shorter contracts for the Q21 between 2 and 3 years.
都是这一空间所造成的结果 The rent for the Q21 institutions is subsidised,
复兴此地的策略 fluctuation and programmatic change
通过地区品牌效应得以实现 is the spatial result.
这一地区第一次 The regeneration strategy was supported
从之前的UQUA through a place branding campaign.
在2002年被重新命名为MQ The stigmatised site was first renamed
这一中性的名字在2003年已颇具个性 from the former UQUA
品牌故事被表达为维也纳的故事 became the MQ a neutral label in 2002
而在这场品牌战中 that transformed 2003 to an identifiable personality.
所有特点都得到了展现 The brand narrative was articulated as a Viennese story
2004年 这一地区的内涵被人熟知 and there was not one character
而2005年时 MQ开始成为 that was not addressed in the campaign.
维也纳人与各地游客的休闲岛 2004 the site was identified with content
这场品牌战没有将MQ and 2005 the MQ started to be the leisure island
塑造成一片建筑区 而是一个项目 of the Viennese population and all visitors.
文化有多种形式 The campaign did not communicate the MQ
它无处不在 对所有人开放 as a built space but as a programme,
MQ人总在传递着这样的讯息 culture has a lot of different forms
2006年 广告不再仅仅出现在海报上 it was everywhere and accessible for everybody.
一个真人开始在维也纳各处行走 The MQ man communicated this endlessly
这一策略的真正成功在于 and 2006 not only on posters
把品牌件 but also as a real person travelling through Vienna.
与当下的软件硬件结合了起来 The real success of this strategy was
它们创造了MQ夏与MQ冬 a connection between the brandware
这一品牌推进了 and the temporary hardware and the software
对于空间内真实经历的理解 that articulated the seasons MQ summer and winter
品牌件 硬件与斡件一起创造了 the brand just fostered
一个新的城市故事 the understanding of the real experience in space.
地区品牌战略 brandware, hardware, and orgware together articulated
为这一地区沉淀下一个新的心理地图 a new urban narrative.
年复一年 规划越来越完整 The place branding strategy
而游客们的反应也在不断调整 sedimented a new mental map
品牌件本身作为催化剂 year by year the programming was intensified
但真正的成功在于 这个地方真的变了 and according to the visitor feedback adjusted.
而真实存在的新的经历 The brandware itself operated as a catalyst
为此地创造了新的经验 but the success was that the place really changed
游客数量不断增加 and that the true experience created a memory
其中包括每天都来的 or a new memory of the place.
当地人和游客 The visitor numbers were growing
各社会阶层和各年龄段 and consisted out of local visitors
都在主要的游客聚集地 who came on a daily basis and tourists
室外活动地里有所体现 all social and age groups
MQ终于成为了 were represented in the main attractor
现代维也纳城市风格 were the outer activities.
和文化多元化的代表 The MQ finally stood for
这在当时的奥地利旅游业 contemporary Viennese urbanity
被认为是一个范本 and a diverse interpretation of culture
我开始时根据时间以及与活动的相关程度 that was then used as an icon
记录品牌策略的实行过程 in the Austrian tourist industry.
之后的分析就是 I documented first the process of the branding strategy
对于建筑建设中 according to time and relationship to programming,
所存在的 the analysis continued then was
之前提到的四个层面进行解析 the de-layering of the complex construction
这里的设计很显然是 that was embedded in
自上而下与自下而上的平衡 the creation of of all four layers.
并为日后调整留足空间 The choreography was clearly a balance
MQ的管理层完全没有意识到 between top down and bottom up
这其中潜在的联系 and left enough space for appropriation.
因此对这一分析感到十分激动 The MQ management had no idea
当我展示自己的成果时 about the embedded interconnections
我强调 被展示的社会空间 and were extremely excited about the analysis.
是非常重要的建筑 When I presented the work
形式主义的规划 I highlighted that the articulated social space
或过多的规划 is an extremely sensitive construction
会妨碍日后的调整 the formalism of programme for example
是非常危险的要素 or too much programming have
这一分析属于一系列空间策略的一部分 that suppress any kind of appropriation
而其中最重要的一条 are extremely dangerous aspects.
就是互相融合的 The analysis fed into a clear set of spatial tactics
硬件 软件 斡件与品牌件策略的树立 from which the most important one
更重要的是 它们遵从着 is the establishment of simultaneously synergised
同一组概念 即连续性 多元化 hardware, software, orgware and brandware strategies.
多样性 互动性和连通性 They more importantly followed
对平滑空间的展现 the same concept of continuity, diversity,
也正是由于这些方面 heterogeneity, interactivity and connectivity,
我们才得以将MQ城市化理解为 the articulation of smooth space.
一个真实的故事 And just because of these aspects
我编写了一本设计手册 we were able to understand the MQ urbanism
起名为"城市要点" as a true narrative.
这是在城市复兴领域 I created a design manual
对我来说十分重要的一套准则 that I titled "The Urban Score,"
这本手册建议对现有层面 a set of guidelines that seemed critical to me
和软件硬件斡件品牌件结合策略进行深入分析 in the field of urban regeneration.
它们对当地状况形成支持 The design suggests a deep analysis of existing layers
城市设计与演变 and a combination of HSOB strategies
不仅需要硬件策略 that could support the local condition.
还需要软件 斡件 Urban design and discourse
和品牌件策略 consists not only out of hardware strategies
它们共同起作用 but also out of software, orgware
接下来的问题就是 and brandware strategies
我们是否可以构建 as an interdisciplinary approach.
以时间为基础的多层次过程 The question that followed for me was
而它能被展现为平滑空间 is it possible to structure
我对于一种可能性感到非常激动 time based multilayered processes
即研究硬件的潜在力 that can unfold as a smooth space.
它能被嵌入多个项目当中 I got very excited about the possibility
这基于对斡件的重新翻译 to investigate the potentials of the hardware
而最终这可能会得到品牌的支持 that embeds multiple programmes
06 设计灵活可调配空间 and that is driven by new interpretations of orgware
这是我们在圣荷西上半年展中 and that finally maybe was supported by a brand.
所创作的项目OPspace 06 Designing Flexible Occupation
我与Correy一同参与这一项目 this is the OPspace project that we presented
许多同学也为此投入了大量时间 during the 01 biannual
我在这里不再一一点名 但希望大家知道 I was working on this with Correy
我们的合作真的非常愉快 and a lot of students takes up a lot of time
根据我们为10×10城市展览 and I'm naming you now but please understand
所做出的研究 that it was a really great cooperation.
我们发现 有大量 Based on the research developed for
位于旧金山市中心的房产空置 the 10 x 10 cities exhibition
超过32幢 we discovered the huge amount of empty real estate
大楼的一层空间闲置 in the down town area of San Francisco
而这里的基础设施往往已经十分完备 the floor space of more than 32
我们想到了一条城市复兴策略 trans America buildings were empty,
取名"城市空间共享" space with all the infrastructure set in place.
它重新审视了基于时间的租赁概念 We developed an urban regeneration strategy
相较于一次支付整月的房租 titled "city space share"
这一空间应当被理解为 that rethought the concept of time based occupation.
基础设施的共用地 Instead of paying the rent for a whole month
服务于多个用户及项目 the space should be understood
一系列的主要项目 as a shared infrastructure
被用来鼓励空间占用 for multiple users and programmes.
并作为这一地区的 A mix of anchor programmes was meant
催化剂和智囊库 to initiate appropriation
我成立了一个城市研究设计机构 and to operate as a catalyst
并建议让我们的策略 and idea factory for the local neighbourhood.
能登上圣荷西2010的上半年展 I set up an urban lab research and design studio
展出名为"建造你自己的世界" and suggested the strategy to
组委会表示了很大兴趣 the board of 01 biannual 2010 in San Jose
因为即将用来的举办展览的 that was titled "build your own world".
圣荷西市中心的沙发区 The committee was very interested
是一个面临类似问题的美术馆 since the sofa district in down town San Jose
由于高租金所产生的临街铺面 where the biannual was located is
变成了被忽略的城市空间 an upcoming gallery district with a similar issue.
虽然画廊展览等可以保证维修费 Empty store fronts due to high rents
但却不能真正解决经济问题 are creating a neglected urban space
分析显示这里的沙发区有40%的闲置 and phantom galleries might support the maintence
而它们所产生的房产价值 but don't solve the economical issue.
本可以达到每小时10美元租金 The analysis showed 40% percent vacancy
这还不包括维修费和准备时间 in the sofa district and a real estate market value
我们分析了当地的人口网络 that would translate into an hourly rent of $10
以及本地区的计划性占用空间 not including maintence or set up time.
以期望了解这里的日常活动周期 We analysed local demographics networks and
通过对游客和居民的采访 我们发现 the programmatic occupation of the neighbourhood
这一地区缺乏社区活动 to understand the daily rhythm.
活跃的时间要么就是 Interviews with visitors and neighbours identified
所有画廊开业的周五 that the district had a lack of community life
要么就是俱乐部开业的晚上10点后 and is just activated either for
为了应对这一问题 the first Friday when all galleries are open or are
我们开始了OPspace这一品牌项目 after 10pm when night clubs are running the programmes.
即资源开放型(OP)城市化 用以支持 As a reaction on the leg of urbanity
5种不同类型的项目 we created the programme brand OPspace,
它们通过不同的活动展现 Open Source Urbanism that was meant to support
OP景致 OP研究室 OP商店 5 different programme categories
OP展览和OP滋味 unfolding in different activities and events;
硬件包括有10个六边形 OPscene, OPlab, OPshop,
可用不同方式摊开或结合 OPexhibit and OPtaste.
这样的组合既有内部设计 The hardware consisted of 10 hexagons
又有外部框架 with different possibilities to unfold and to aggregate.
可灵活应用 The sections had an inner imprint
通过改变组合方式 and an outer framework
作为可以变成柜台或者舞台 that allowed multiple appropriations.
为了半年展我们设计了五种组合方式 By flipping the sections
设计者包括上半年展的参与者 a seat would become a counter or a stage.
当地的活动组织者 For the biannual we defined 5 different aggregations
艺术家以及CCA社区 that were programmed by participants of the 01
建设工作 by local event organisers,
通过计算机测控完成 by artists and the CCA community.
而经过一个夏天的努力工作 我们准备好 The construction allowed
考察圣荷西的安装情况 the production with our CNC Miller
网站 明信片 推特和Facebook and after a very very intense summer we were ready
都被用作我们的交流方式 to go to test out the installation in San Jose.
而一群新的使用者 The website, postcards, Twitter, and Facebook
在那4天里组织着活动 were used as our communication strategies
带有演讲与讨论的座谈会 and a new network of users were running the events
开幕酒会 during the 4 days of the biennale.
试酒会 DJ音乐会 出人意料的表演 A mini symposium with presentations and discussions
户外座椅 时尚秀 an opening reception
广场 小厨房 a wine tasting, a DJ launch, unexpected performances,
最后 在展览结束后的3个礼拜 outer seatings, a fashion show with a catwalk,
作为一个玻璃展的展览地 a playground, a bike kitchen
这一策略通过四个层面展现 and finally after the biennale another 3 weeks
它们都创造了新的用户网 as an exhibition space for a glass show.
和感兴趣的潜在用户 The strategy unfold through 4 layers
人们想要租用的空间 and they all created a network of users
恰恰就是我们期望创造的 and interested potential new users.
我们用相机记录下来四天的展览 People asked if they could rent a space exactly
分析了每天的活动 what we hoped to initiate.
以及所衍生出的次生社会空间 We documented all 4 days with a film camera
我们同时也记录下了重组时间 and analysed the diary programming
因此发现 重组 and the resulting social space of second order
需要许多人手与实践 also the set up time was measured
OPspace过去四周在中央广场呈现 and we learned that the re-aggregation
而我也十分高兴的看到 needs a lot of hands and probably way too much time.
这大大鼓励了租赁 OPspace was in the nave the last 4 weeks
如果没有众多的支持者和赞助商 and I was more than happy to see that
这个项目不可能完成 the surface just encouraged occupation.
我对他们感激不尽 The project was only possible with
我也很高兴 a lot of supporters and huge network of supporters
OPspace现在有了新家 and I can't thank them enough for the realisation.
杰森安德森昨天将OPspace I'm also very happy that
放入自己的展厅当中 我们也希望 OPspace has now a new home,
他能创造出令人惊叹的活动来 Jason Anderson took the space yesterday
05 设计可持续性社区 to his flux space gallery and we are hoping
自然首都是 that there are going to be very exciting programmes.
我与Neil及其工作团队一同参加的比赛 05 Designing Sustainable Communities
内华达的一次高级住宅设计竞赛 Natural Capital a competition
要求参赛者设计一条辅助策略 能够 that Neil and his team and myself are working on.
为土地储备区作为惯例使用 The senior housing competition in Nevada
山谷间的剩余地 asked for a side strategy that could operate as
以及陡坡上大量的定居点 a precedent for land banking site.
为高级住宅区的出现提供了可能 Left over land between the valley
这一地区包含有互相分离的两部分 and the rich settlements on steep slopes
而虽然区域内存在种种问题 was vacant for a senior housing community.
如在可访问性 破碎性和地形方面 The site consisted out of 2 parts that were separated
但它在资源类型上却十分平均 and though the site showed problems of
我们决定进行设计 以求 accessibility, fragmentation and topography
建立一个可持续性社区 it presented a typology of equal capital
建立联系 that we intended to harvest in order to
这一地区隶属于一片大型绿化带 grow a sustainable community.
绿化带上已有居民区 Creating Connections
但却缺乏认知度 The site was a part of a larger green belt
我们将此地设计为 that fed into the existing community
一片农业社区花园 but had a leg of identity.
让临近的居民区 We interpreted the site as an area that
都能够参与到社区生活当中 could be used as an agricultural community garden
残疾人便利通道将 allowing the senior neighbourhood
新的定居点 to participate in the community life.
与现存土地 社区联系了起来 Handicapped accessible paths would link
推广可持续性社区 the new settlement with
是我们这提案的核心 the fields and the existing community.
所用的方式是 The promotion of a sustainable community
用故事板的形式进行记述 was a main focus of our proposal
利用这一工具 社区可以 and the technique was a design of a narrative
组织社会和空间进程 in form of a story board.
故事板建议分三个阶段进行 A tool that the community could use
一直到工程的结束 to organise a social and spatial process
第一阶段 萌芽 the story board suggested 3 phases
我们建议举办与地貌风景相关的活动 until the completion of the project.
来振兴这一地区并创建社会联系 Phase 1 Germination:
对于当地野花的种植 landscape events were suggested
会需要一个社会团体 to restore the ground and create a social interaction.
我们建议建立 The planting of native wildflowers
非盈利性组织 诸如"我们的农场" would need a social body
这一进程继续了下去 野花种植后 and we suggested the foundation of
又有类似活动进行 a non profit organisation for example like "Our Farm".
向日葵花田和南瓜田 The narrative, the native wild flowers
与此同时 水利基础设施会逐步到位 were followed by composting event
第二阶段 居住: 这一地区的占用 sunflower fields and pumpkin patches
首先要投资于雨水集蓄系统 while water infrastructure would be set in place.
和储水系统以保证农业发展 Phase 2 Inhabitation: the occupation of the site
"我们的农场"会组织社区活动 invested first in the rain water catchment system
它们将作为 and water storage to support the agriculture
新住宅建立过程的一部分 "Our Farm" would organise community events
第三阶段讨论的是循环 that would participate in
或最终循环的问题: the building process of the new homes.
最终的定居点会创造出一个新的生态系统 Phase 3 was talking about the circulation
在这里 水资源与植物资源被应用 or the final circulation:
以支持一个可持续性的社区 the final settlement created a new ecosystem
随着农业项目的发展 in which the blue and green capital of the site
这一社区会缓慢成长 was harvested to support a sustainable community.
而相同的资源会在此区域内循环 With the development of the agricultural programme
建筑地点的选址 the community would slowly grow,
将根据所创造的地形结构进行决定 equal capital would circulate through the site.
它将被设计为临近农田 The positioning of the building footprint
和水库的位置 followed the tectonic of the created topography
这一设计确保了社区的发展过程 designed for access agriculture fields
并且从现存的资源中有所收获 and water catchment systems.
这些资源包括建筑 The design offered a process to grow the community
水资源和植物资源 and to harvest from the existing equal capital
单元设计包含有一个模块系统 through grey infrastructure,
将模块置于台地上 blue infrastructure and green infrastructure.
而尽量减少对平地的使用 The unit design consisted out of a modular system
这里装置有太阳能电池板 that positioned the modules on infrastructural plateaus
和污水回收设施 and that minimised the occupation on ground,
意在实现自给自足 equipped with solar panels
07 设计新领地 and grey water recycling infrastructure
Urbre 即维也纳城市复兴之夜 the settlement was meant to be self sufficient.
2005年 维也纳 07 Designing New Territories
庆祝了城市复兴30周年 Urbre, the short night of urban renewal in Vienna.
筹备组委会 2005 the city of Vienna
联系到几所大学 celebrated 30 years of urban regeneration,
想要筹备一次城市复兴之夜活动 the planning department and community
活动中 老师和同学 outreach offices organised with several universities
被要求提出新的城市发展策略 short night of urban regeneration
由于一系列的 during which students and faculty
经济支持项目 were asked for suggest new strategies.
维也纳在屋顶延展方面有很长历史 Vienna has due to a series of
一系列的建筑师也有机会 financial support programmes
设计高端房产 a long tradition of rooftop extensions,
从而造成了住房的中产阶级化 [German] other architects are also able to
而一层往往被改造成停车场 design high end real estate
像19和17区那样 often producing a horizontal gentrification and
将公共空间改为滑冰场的情况很少 the conversion of the first floor into parking garage.
我们重新考虑将屋顶 Public spaces like the ice skating rink
作为潜在的公共领地 in the 19th 17th district are very seldom.
并设计了一个点对点协议 We rethought the roof top
建议以街区为单位进行发展 as a potential public territory
一组用户会把土地 and designed a PPP that suggested
作为联合街区以市价的110%卖给市政府 a block wide development of the site.
政府把规划价格再提高10% An owner group would sell the parcel
把土地售给开发商 他们要符合两个条件 as a unified block to the city for 110% market price,
一 保证公共访问权 the city increase the zoning envelope by 10%
二 将20%的空间用作公共空间 and sold the territory to a developer who
所建立的工作室被作为了夏季强化营 A. guaranteed public access and
举办了客座演讲 研讨会 B. invested 20% of the new volume into public space.
并与两所大学进行交换项目 The studio was set up as a summer intensive
我们邀请到了4个当地开放商 has guest lectures and workshops
它们与我们合作 and also an exchange programme with 2 universities.
加入我们并为我们提供 We were able to gain 4 local developers
所进行活动的反馈 that cooperated with us
所做出的提议从 and who joined us and offered feedback
将公共空间 on the real programming.
做成交叠广场到公共体育设施 The proposals ranged from
我们社区公园 articulated programme publics surfaces
社区广场的设计 as continuous folded plazas to public sport facilities,
与居住项目结合了起来 our design of neighbourhood gardens
成果通过一次展览展示 and community plazas
但更重要的是我们举办了一次研讨会 in combination with residential programme.
会上大家讨论了 The results were presented in an exhibition
这一斡件策略的潜力 but more importantly we organised a symposium
它使得在维也纳这篇建筑高密地区 that critically discussed
嵌入新的公共景观变为可能 potentials of this orgware strategy
今年 维也纳组织了 that offered the insertion of a new public landscape
第三次的城市复兴之夜活动 within the existing dense fabric of Vienna.
这次的主题是要人们重新思考 This year Vienna's organising again
维也纳的街区规划 a short night of urban regeneration for the third time
08 设计临时用户 and the topic is asking to rethink
林茨的唐萨西亚区 the zoning of the Viennese block.
2006年唐赛西亚设计组邀请我们 08 Designing interim users,
参加一个正在进行 the Tangsahiale area in Linz.
与林茨市政府的协商过程 2006 the design group Tangsahiale invited us
一个曾经的货仓 to participate in an ongoing negotiation process
正等待着进一步的发展 with the city of Linz
而唐赛西亚提议先开发临时使用功能 the territory of a former cargo holding station
这一区域未受污染 was waiting for its future development
而根据当地的情况 and Tangsahiale suggested proposals for an interim use.
我们提出了一个设计策略 The site was not polluted
建议对此地进行 and following the strategies of the situation
5年的短期规划 we developed a design strategy
等待发展的 that suggested a temporary master plan
这段期间可以被用来 for the next 5 years.
为此地创造一个心理地图 While the land was waiting
这在过去的100年几乎不存在 this period could be used
对于周围居民来说 to create a mental map for the site
这只是一个制造屏障 that was for the last 100 years inaccessible
的盲点 and just a blind spot that was investigating existing,
我们实地考察并进行分析 that was investigating and a barrier
即对于 for the surrounding neighbourhood.
现存文化社区网络的分析 We worked on site and created an analysis
通过分析艺术家 社区和潜在活动 that was analysing
帮助我们制定软件策略 the existing cultural community networks,
分析同时也进一步研究了 artists, communities as well as potential programmes
现存基础设施的潜力 for our software strategy.
使这里可以暂时作为油田使用 The analysis also had a closer look to
林茨正在申请文化首都项目 the potentials of the existing infrastructure
并计划将此地 that could operate as an oil field for interim use.
作为一处开发区 Linz was applying for the cultural capital programme
其中一个提案获得了很大关注 and intended to use the site
根据我们的设计要求 as one of the development areas.
我们要求学生们设计 One of the proposals received a lot of attention
斡件 软件和品牌件策略 following the design brief of assignment
而学生们展开了一场市场战 that student that we asked for
它们请周围居民租赁 orgware, software and brandware strategies
这里的一块地 租金1美元 the students developed a marketing campaign
这一策略使这一地区在人们眼中具象化了 that offered the neighbourhood to rent a parcel
它邀请每个人提交申请 on the cultural field for $1
通过网络提议举办活动 the strategy pixelated the site
基础设施网络和土地分块虽然是固定的 invited everyone to submit an application
但活动种类是开放的 through website with the proposal for programming.
文化被理解成一个自上而下的过程 The infrastructure network and parcelisation system
而这个设计也提供了一个工具 was defined but the programming was open,
帮助有计划的占用土地 culture was understood as a bottom up approach
最后的成果在一个展览中呈现 and this design offered a tool
并在一次研讨会中得到讨论 that allowed an organisation of the appropriation.
整个城市对此都感到十分激动 The work was presented in an exhibition
但遗憾的是最终这并没有获得 and discussed during the symposium
2008年的文化首都项目 the city was extremely excited
09 设计城市活动场所 but unfortunately didn't receive the grants
柏林有许多 for the cultural capital programme 2008.
临时项目与临时使用地 09 Designing Urban Activity Fields [German].
因为这个城市 The city of Berlin is highly invested
在历史上就有很大的空间破碎性 in temporary programmes and interim users
柏林在战争中几乎被摧毁 because it is a city that had
之后又被柏林墙 historically been defined by its spatial fragmentation.
隔成东西两部分 Berlin was destroyed during the war
1989年东西柏林合并后 and then divided into an eastern and western part
城市中出现了大量空白地 by the Berlin Wall,
可以说 城市海滩 after the reunification 1989 large white spaces
成为了柏林的标识 had been given back to the unified city,
下面的图式选自 we could say that the urban beach
"空间先锋" 它显示这一地区 became one of Berlin's identities
目前由临时用户所有 the diagrams below show that are quoted
柏林的参议院 from the Space Pioneers show the site that is,
发展出一系列必须的斡件 that are currently occupied with interim users.
以便城市进行 The senate of Berlin
暂时性规划 developed a series of the necessary orgware tools
其中一处正在发展的地区 that cities need in order to organise
就是从前的花市 a temporary zoning plan.
它位于犹太博物馆旁 One site that is currently under development
通过一系列自下而上的尝试 is the former flower market
这一项目的总监 located adjacent to the Jewish Museum.
建议将此地发展为 Through a series of bottom up approaches
未来的文化区 [German] the director of [German]
支持现有的文化网络 例如 suggested to develop the [German]
博物馆 机构 画廊 as a future cultural district
艺术和设计团体 that supports existing cultural networks like
但同时也将其发展为 it’s a million things.
文化与创意先锋 museums, institutions, galleries,
一系列的公共场地为发展开放 art and design practice
参议院没有将它们卖给开发商 but also invests it's cultural into
而是尽可能的 the cultural and creative pioneers.
规划这一新地区的文化表现与产出 A series of public grounds are open for the development
我已经被邀请作为顾问 and instead of selling the sites to the developers
参与到明年或今年夏天 the senate is investigating the possibilities to
即将创办的工作组与研讨会当中 zone the cultural performance of the new neighbourhood.
讨论这些论题 I'd been invited as a consultant
曾经仔细看过我论文的??? to participate in upcoming workshops
更是特别邀请我参与到 and symposiums next summer or this summer
现存公共空间的激活当中 that will be dedicated to these topics.
首先 提出观点 [German] who had a close look to my dissertation
建立一个烹饪点 specifically invited me to give my input
一个临时的硬件 for the reactivation of the existing public spaces.
适用于不同场景 First, ideas had been articulated
并能支持一系列社区活动 To set up a cook station
这个站点意在作为一个公众实验室 a temporary hardware
而设计组要求我 that can unfold in different scenarios
给出一些指导意见 and that can support a series of community events.
探讨自下而上与自上而下的活动 The station is meant to be a lab for the public
并鼓励居民参与 and the team asked me to work on guidelines
现存的公共空间如小公园 for an urban score
在未来将被重新设计 that negotiates bottom up and top down programming
我很激动可以参与到这一过程中 and that fosters a participation of the neighbourhood,
城市复兴过程这一工程 the public space currently existing as a green park
试图结合 will be redesigned in the future.
城市战略与策略 I'm extremely excited to participate in this process,
它将城市理解为一片随时代发展的土地 the urban regeneration progress project
有各式活动与多个层面的状态 tries to integrate the capacity of
说到这里 我要谢谢大家的聆听 urban tactics and strategies
主持人: 现在大家可以提几个问题 that are understanding the city as a dynamic field
然后外面还有一个欢迎酒会 of activities and multilayered conditions
谁想先来? and with this I want to thank you for your attention.
看来没人想先来 [Host] We are open for a couple of questions now and
观众: 我先来吧 I just wanted to invite everyone to a reception outside.
主持人: 好的大卫 Who wants to go first?
观众: 我在看这些很棒的分析图表时 Nobody here wants to go first.
凑到汤姆旁边 [Audience] I'll go first.
对他说 你能想象 [Host] Alright David.
你能想象这些城市规划中的一个 [Audience] I leaned over to Tom while
出现在旧金山规划委吗? we were watching these amazing analytic graphics
这种讨论城市空间的方法 and said could you imagine
太不同了 one of these urban schemes in that form being
你所展现的这些图表 presented to the San Francisco Planning Commission?
不是纸上谈兵 It just, it's such a different way
它们事实上都被应用到公共空间中了 of talking about urban space,
在美国我们很少看到这样的应用 these are not, the graphics you show
主持人: 是的 are not just done in studio
演讲人: 但有趣的是 哦 they're the actual tools you used in the public
那么欧洲在自上而下创造硬件规划方面 which is, you just don't see that in the United States.
有着长而有力的传统 [Host] Right.
城市有能力这样做 [Speaker] But the interesting part is, oh
并且有一系列已经成型的比赛 So Europe has a very strong long tradition
所以关于硬件应用的传统 on top down creating hardware master plans
已经初具规模 而在2000年 the city has all power to do this
各大城市决定进行可持续发展 and there is a series of competition that is set in place
它们在参与过程上也达成了一致 so there is a very regulated tradition
而欧洲在这一阶段反复的讨论 of the hardware practice and when 2000
我们要如何振兴城市? the cities committed to a sustainable development
怎么样让大家参与进来? they also agreed on participation processes
怎么样使自下而上的方式 and Europe is at the moment in going to the direction
也成为计划过程的一部分? how can we activate?
说回美国的新奥尔良 How can we allow participation?
我几乎无法理解 How can the bottom up approach
一个受到飓风如此大毁坏的城市 be a part of the planning process?
竟然几乎没有办法 To come into America in New Orleans
来组织起计划过程 I nearly couldn't understand
所以参与计划过程的人们 that a city that was so hard injured by the hurricane
事实上是最先 hardly had a really instrument
被市长开除的 to organise the planning process
所以取而代之的是 so the people who are working for the planning process
大量工作组的参与 were actually the first one
而每个人都在讨论 that had been fired by the mayor.
我的土地 我的土地 我的土地 So instead there was
这对个人来说十分重要 a huge amount of participation workshops
但如果你抽离开来 把城市看作一个整体 and everyone was discussing
那么这就变成了一个你无法控制的局面 my parcel, my parcel, my parcel
一场灾难 which was important for this specific person
那么我来自欧洲 but if you zoom out and see the city as a whole
我对于能够促进大家参与的战略 this is a processe we can't handle
感到十分激动 a catastrophe like this.
当我来到美国 我发现 So I was coming from Europe
天啊 当自下而上占了上风 I was very excited about the tactics
我们在进行规划的时候 to allow and foster participation
几乎什么都做不了 and coming to America I thought
而这里的环境状况 Oh My God when this is getting over,
在未来会变得愈发艰难的 taking over the planning process
所以欧洲与美国或多或少 then we are not able to do anything
都应该向中间靠拢 and the environmental conditions are going to be
那么我对于城市发展的战略 much more difficult in the future.
是在试图组织这样的过程 So both worlds are more or less
使其日后的发展更加顺利 have to meet in the middle I think
我很高兴能把这样的想法展现出来 and so my tactics of the urban score
别担心 这些现在都已经写下来了 is trying to organise these processes
观众: 在美国这个大环境中 so that they are productive for the development.
还有如你所说的城市 I'm happy to present this somewhere
发展与改变的进程 don't worry, It's all written now.
你认为 [Audience] I guess within the American context
什么样的战略能够帮助改变 and from what you know of the processes through which
美国城市现在的运行机制 cities are being developed and transformed
使它们不那么抵触改变 what kind of tactics
使它们能够支持 do you think would be productive in transforming
这样改变与成长的过程 the way in which American cities are operating now
因为我们所害怕的一件事就是 so that they are let's say less resistant to change,
我们前进的道路上有太多东西 that they enable
抵触改变 a process of transformation and growth
拒绝好的城市设计 because I think one of the fears is that,
那么你对此的策略是什么呢? that there are so many things in place
你会给这些城市什么样的建议呢? that are resistant to change
演讲人: 我认为眼见为实 or resistant to good urban design,
比如我们有一个策略 what would be your strategies here?
为12个水城构建了一个图表 Or what would be your advice to cities themselves?
放在城市建设的书籍中 [Speaker] Well I think you best learn when you see
然后去展示新奥尔良所面临的问题 and for example our strategy
和正在发生的事情 to create the 12 water city matrix
以及其他城市应对 in the urban build book
海平面上升的问题 and to show what the issues of New Orleans are
对于城市来说 这是学习的最好方式 and what is currently happening
因为没有一个三角洲城市 and what other cities are doing
不能向荷兰 in order to solve their issues with rising sea level
这个一半城市低于海平面的国家 this is the way, the best way for cities to learn
学习 because I mean there is no other delta city
而荷兰创造力 that can't learn from the Netherlands
大量的建筑 where one half of the city is literally
本着将建筑 under the sea level
景观设计和规划结合的原则 and the Netherlands create
(人名)有作为 an incredible amount of architecture
规划者和设计师的双重背景 out of their attitude to combine architecture,
这两者所遵循的规则 landscape architecture and planning.
有着很强的联系性 So I mean [German] has a background
而我认为最应当做的事情就是 as planner and a architect
做全球性的研究 so there's a very strong connection
并通过先例的展示 between the disciplines
城市们的处理措施 and I think the best thing is
我认为城市之间应当互相学习 to make global research studies
观众: 这样说起来的话 and to show through precedence
城市实验室如何呢 what other cities are doing,
因为城市实验室的一部分功能是 I think cities should learn from each other.
作为一个哨所 [Audience] And then what about
存在于校园内 urban lab in that context
但它们也可以与实际的工程联系起来 because part of the idea of the labs was that
与城市联系起来 也许它们可以 they could be a kind of outpost,
改变人们对于城市设计规划可能性的看法 and outpost within the school
演讲: 这就是所谓的 but they could also link up to real projects
去做 做出不同 做给他们看 link up to the city to actually maybe
我在维也纳管理着一系列的工作室 transform the way of thinking about what's possible.
我们的机构经常与 [Speaker] That feeds into the point,
规划部门合作 do it, make a difference and show it to them,
我们在规划部门有不少很好的合作伙伴 so it's a series of studios that I was running in Vienna.
他们真的对我们所做的事情感兴趣 Our institute always cooperated with
我们也特别与 the planning department,
社区规划办公室合作 we had great great partners in the planning department
那么维也纳有规划部门 有学校 who actually wanted to see what we were doing
而在这中间 and we specifically cooperated with
存在一个社区中的机构 the community outreach offices
联系起社区 so Vienna has a planning department and the schools
与规划部门 and in between
这些机构由建筑师经营 there is an institution in the neighbourhood
这个工作团队中则有社会学家 that is connecting the neighbourhood
景观设计师以及律师 and the planning department
去弄清楚这一地区发生的所有事情 and these offices were run by architects and
而我们总是与他们合作 they had an interdisciplinary team with sociologists,
在教室这一个受保护的学术环境中 and landscape architects and lawyers to clarify
你可以比如说创造一个新的斡件策略 all the issues that are happening in the neighbourhood
然后看看它的可行性 and we always cooperated with them
然后展开研讨会 and the protected space in a classroom allows you
举个例子 屋顶城市化 to create for example a new orgware strategy
最开始得到的回应是 "天哪 纯属形式主义 and to play it out and to see it
你得到机会 and then to run a symposium
去规划一整座街区 and the rooftop urbanism for example
而你所做的却只是 the first reaction was "Oh my god pure formalism,
异想天开" you're getting one opportunity
而之后我们说 to clearly design a whole block
"不 我们要开个研讨会" and the only thing that you can do is
因为我们所做的事情 coming up with wild shapes"
绝不仅仅如此 and then we said
事后证明 这次的讨论很有意义 "No we're going to run a symposium"
而当我说 because this goes much deeper
这一工程已经开始了第三期 what we're trying to do
他们把这应用到了维也纳街区上时 and then this was actually very constructive dialogue
这并不是没有原因的 and when I said
因为他们确实看到了 they are running now the session for the third time
维也纳街区的潜力 and they're dedicating it to the Viennese block
或者说它应当被重新规划 there was a reason
因为规划过程显示 because they actually saw
规划的组织过于僵化 what the Viennese block can do
所以在我看来 学术机构 or that it should be rethought
永远走在前沿 because it is an extremely rigid organisation
而规划者 城市甚至是开发商 that unfolds in the zoning plan.
都很有兴趣知道 So academic institutions are always pioneers
我们能做出什么 out of my perspective
因为这对他们不构成威胁 and planners and cities and even developers
观众: 我来问一个把我们联系起来的问题 they're interested to see
在过去的一两个月 what's getting out of it
Jerry Brown计划废除 because it's not dangerous to them.
国家内大部分重建机构 [Audience] I'll do one that I think connects us.
依你看 In the last month or two
你也看到了重建机构 Jerry Brown has a plan to abolish
在全国的范围 most of the state's redevelopment agencies
在波士顿 do you see,
他们依然在制定计划 you see the range of redevelopment agencies
怕依然是非常活跃的城市设计者 around the country.
你认为是什么构成了顶端的发展团队 See in Boston where
政府应扮演怎样的角色 they're still designing schematics,
什么样的规划机构 actually active urban designers.
能填补重建机构的空缺 Where do you see form the top developing or evolving
你认为在未来的10～20年内 where does government fall in?
上层建筑应当如何发展? Where do planning administers and whatever
演讲人: 我认为 诚实来讲 fills the void of the redevelopment agency
我不太了解 where do you see the top
美国的具体规定 fitting in the next 10 20 years?
因为欧洲的情况非常不同 [Speaker] I think if I would and I'm honest
甚至每个城市 I'm not enough informed about
处理规划过程的方法都不一样 the specific regulations in America
我只能说 because it's very very different in Europe
当我们在这里 or even every city has a different way
在我的课上进行城市网络研讨会时 how they handle the planning process
我们与SPUR合作 the only thing I can say
我发现 比如说 when we did the network city seminar here
加利福尼亚的各处地区 in one of my classes
没有一个机构 一个组织结构 we were cooperating with SPUR
而因为这样 大家就无法 and discovered that for example
共同做出决策 the mega region of northern California
比如说沿海的9个县 has no body, organisational structure
在未来的20 50年里都会面临相同的问题 and because of this there is no decision
那就是海平面上升 that can be made in relationship
但他们不会坐在一起 for example just the 9 bay counties
无法形成一套靠海地区共同应对方案 that have all the same issue in 20 50 years
我非常吃惊 事实上非常震惊 with the rising sea level.
竟然没有一个机构 So they don't sit around a table
处理地区发展问题 there's a one bay area initiative that is coming up
而在美国有11个地区 but I was really astonished actually very shocked
在往后的50年里 that there is not an instrument
会经历人口迁入 that is taking care of the regional development
和城市化进程 and in America there are 11 regions
所以我想我们的目标也许是 that are going to grow in the next 50 years
创造组织结构 for all the population is actually going
来处理诸如地方发展问题等等 and where the urbanisation is going to happen.
观众: 你怎么看待互动媒体 So I mean maybe the goal is
和信息技术 to find organisational structures
与传统二维图板 that can take care of mega regions for example.
和纸质材料之间的冲突以及联系建筑群 [Audience] How you see interactive media
演讲人: 不好意思 能不能再说一遍? and information technology
观众: 你怎么看待新媒体 confronting traditional 2D diagrammatic boards
互动媒体 数字媒体 信息技术 and paper use and communicating complexes?
与传统图板和纸质材料之间的冲突? [Speaker] Sorry can you repeat it?
演讲人: 有一些实验室 [Audience] How do you see new media,
比如麻省理工的城市实验室 interactive media, digital media mediation of ideas
它们处理许多真实的数据组 confronting traditional boards and printing?
它们真实的反映出 [Speaker] So there are some labs
人们在城市中如何活动 for example the MIT sensible city lab,
如何表现 they're working a lot with real time data sets
在做些什么等等 that are actually showing
我认为这肯定会是未来会广泛应用的工具 how people are moving through the city
这也是为什么 and how they're behaving
我会为学校引入RGS软件 and what they are doing etc etc.
因为你需要它 So I think this is the tool for the future for sure
来建立Java脚本等等 and it's also the reason
主持人: 先大卫然后桑博或者怎么样 why I bought the RGS software to the school
你们自己选 because you need this
观众: 谢谢 我对于 in order to set up these Java scripts etc.
你更近期一些的 [Host] David then Samber or vice versa,
在旧金山的工作很好奇 you'll pick.
你参加了位于 [Audience] Thanks. So I was just curious about
这里的一处公园的规划 your somewhat recent experience
我是说如果我们讨论这样 with the city of San Francisco
稍微近一些的层次的话 and working on the I understand you something to do
它是不是 with the park over here
让你觉得更有希望 so I mean maybe if we talk about a
演讲人: 我们希望 more local level, more kind of hands on
我是说我们现在规划了 if that's something
我们对Hooper街未来20年的发展 that you feel perhaps more hopeful about.
创立了一整套暂时的规划 [Speaker] Well we were hopeful
同时我们也整合了 that we temporary master plan for,
CCA刚刚买入的土地 we developed a whole temporary master plan
我也很高兴能继续参与这一工作 for the next 20 years for Hooper St
我们有一整套文件 and we also integrated the big parcel
我今天没有向大家展示 that CCA just bought
因为数量庞大 and well I'm happy to continue the work on it,
而我想为大家展示临时使用这一块 so we had a whole document
想要展示林茨的库房 I didn't show this today
但是我们分析了现存的网络 because there was a lot of amount
我是说学校本身有大量的资料 and I wanted to show for the interim use
并且提出了提案 I wanted to show the cargo station in Linz
未来农田改造等 but we developed we analysed the existing networks.
在以后的数年内如何进行 I mean the school itself has a huge amount of networks
Ribba夏天的时候管理着一家 and created a proposal
跨学科的工作室 how the future transformation with the farm strip etc
他们一同重新设计了人行道 could transform in the next years
这是第一阶段改造的一部分 and Ribba was running an interdisciplinary studio
这些过程 我是说有这么一套文件 in the summer
我明天将和规划部门开会 where they started to redesign the pedestrian sidewalk
因为他们获得了批准 so this was a part of the first transformation.
改造Hooper街 These processes, I mean there's a document that exists,
我同时也想举办一场学生竞赛 I have a meeting with the planning department tomorrow
利用消火栓前的 because they actually received some grants
微小空间 to work on Hooper St
因为这是城市的剩余空间 so I also thinking to set up a student competition
不必只能铺上水泥 that is dealing with the micro spaces
市政府对于 that are in front of the hydro water hydrants
利用这些消防栓网络 because this is a left over space for the city
并重新考虑它前面空间应用的想法很感兴趣 that does not necessarily have to be a paved area
所以这不仅仅是计划 and the city was extremely excited
设计并给出好的展示的问题 to take this huge network of water hydrant
到最后 and to rethink the little site that are in front of it.
必须有人拍板 So it's not an issue to plan all of these things
到最后 and to design and create wonderful presentation
我们还是需要金钱支持 but at the end of the day
所以只要有需要 there are people who have to say yes
URBANlab就会全力配合 and at the end of the day
主持人: 我认为一个问题是 there is also some money needed
当我们在工作室内接下这样一个工程的时候 so URBANlab is taking on all these things
当然我是指真的工程 if there is a call for it.
我们经常面临的问题是 [Host] I think one of the great potentials
在校内面临局限 is when we can take on a project like that
比如学期的时间限制 within the studio or within of course it's a real project.
或者即使有两节 The issue that we always have is that
相同的课 within the school we're limited to things
一部分学生上一节课 like the timeframe of a semester
然后一半的人毕业了 or the idea that even if you have two courses placed
之后又迎来另一拨学生 back to back
在这样的状况下 you've got one group of students in one
第一学期 then half of them graduate
也就是春季学期还比较好过 and then you have another group
但到了夏天 and in this case in particular
我们只有一个跨学科的班级 I think that the semester the first semester
课时三周 was really comprehensive that was the spring semester
这里的学生非常不一样 but in the summer we ran just
只有几个是学建筑的 it was one interdisciplinary studio
我们面临一系列问题 it was 3 weeks long
比如没有资金购买原料 it was an entirely different group of students
公园另一边的道路改造 there was only a couple of architecture students in it
市政府提供了承包商和材料 and we had issues in terms of like
或至少找到二手材料的 not really having any funding you know for materials
地方 the other pavement of park sites
而我们没有那些 到最后 the city had given both a contractor and the material
同学们付出了很多劳动 or access to where re-useable materials
除去这个 他们也重新设计了 could be drawn from
最初的方案 not having that, I mean in the end
因为他们想要留下自己的东西 the students did an incredible amount of labour
而不是采取原设计 except that they also started to redesign
对其进行一定发展 what had initially been done
这在某些层面上就是 because they wanted their imprint on it
我们在教育过程中都会遇到的抵触 as opposed to let's say taking what had been done
我认为我们需要关注这个问题 and kind of developing it
就这个实验室来说 and that's in some way an issue of the resistances of
他们在一周内做了许多工作 you know even the educational process sometimes
只为了砸掉原有的人行道 that I think we need to look at.
做的十分辛苦 You know in relation to the lab
我认为所有这些都是我们要面临的问题 they do a lot of work in one week
而我们有时候看不到全部 just breaking up the sidewalk for example you know
但如果我们在这些方面做的更好 and there was a lot of labour involved
哪怕是在我们的手工方面 I think all of these things become issues
当然这样的话我们还要面临 and we often never see the whole picture
新的挑战 but if we can get good at doing it
但这样我们也许在升格到城市的时候 at least within our own backyard
就可以做的更好 and of course what's behind us will be
好的 大卫 a new challenge for us on that front
观众: 你刚才大概总结了 we can probably get better at doing it
四个建筑层面 in relation to the larger city.
你认为在建筑学院里 Sorry, David
是否存在对硬件的偏见? [Audience] I think you know with the 4 constructs
你又怎么看待斡件? that you kind of outlined
为什么把对于建筑的理解 do you see there being you know a preoccupation
延伸到这四个层面上 in architectural schools in general with hardware?
如此重要 and then how do you see orgware?
这对未来的建筑学又有什么意义? but how, what are the importance of expanding into
演讲人: 作为一个建筑师 these other you know really strong
主要关注的当然还是硬件 understandings of these other constructs
但你也要考虑到整个项目 and for architecture the future of the profession?
因为你想要人们能够了解使用 [Speaker] For sure as an architect
你所设计的东西 you're mainly invested into hardware
我认为这对于大规模尤其重要 but you also think about programme
因为这就是城市进行组织规划的方法 because you want people to be able to use the things
比如有一块地等待规划 that you are designing.
事实上类似的提案有很多 I think it's specifically important for the larger scale
有一块地等待规划 because this is how the city is organised
而尚未有硬件建筑于此 and for example if we have a waiting land
也没有资金 and [German] develop a lot of proposals
而我们依然可以规划这一地区 for these strategies and when there's land waiting
尤其对于已被污染的地区 and we don't have hardware that is built now
可以先进行矫正的计划 and no money to do this
每个读过Java脚本的人都知道 we can still do something with this site and
我们有多少废弃土地 specifically when it comes to sites that are polluted
而如果有了斡件与软件策略 and that we can start with remediation etc etc
这些地方的重建会变得更加容易 so the every person who read the Java scripts sees
而关于品牌件 我不想被误认为 how much waste land we have
一个品牌投机者 and these waste lands can be activated much easier
品牌是用于帮助大家了解 through orgware strategies an software strategies
所发生的事情 and the branding I don't want to be misunderstood
使公众对此有所了解 as the big brand scalper
推特 Facebook the branding helping to communicate
这些界面的重要性是有原因的 that there is something happening
作为一个建筑师 and that public really has an access to it
主要是设计硬件与软件 and there's a reason why Twitter and Facebook
但我认为自己是个建筑师 and all these interfaces are really important.
当我写OPspace So as an architect
城市空间共享提案的时候 you're mainly invested into hardware and software
这就是基于对 but I consider myself an architect
组织结构的重新理解 and when I wrote the assignment of the OPspace
把它分裂开来 使其服务于 the city space share
多个用户 而非仅仅 this was literally built on a redesigned understanding
是租赁此地的那一个人 of the organisational structure
而之后我们也确实在OPspace的项目中 to split it apart and to make it available
提炼出了这四个层面 for multiple users rather than 1 person
这是大的城市规划的一部分 who is renting the site
你想象不到需要多少时间 and then we really synthesise the 4 layers
才能让大家聚到一起 within the OPspace installation.
组织不同的项目 That was partly a huge urban creation
还要尽量 you have no idea how much time it took
让这样的讨论 to actually get all the people together,
在最少的时间里得出结果 to organise a different programming,
可能对于更小规模的建筑 to organise them in a way
这四个层面才能整合到一起 that the aggregation could unfold
就像博物馆区 not with such a big amount of time.
它多少也算是户外家具 It was maybe more for the small scale architecture
观众: 我的问题是 你会多大程度上 where specifically these 4 layers are coming together
考虑领导人任期的问题 which is like the Museumsquartier
现在许多的发展策略 which is more or less the outdoor furniture.
都要在4～10年时间里 [Audience] My question is how much consideration
尽快实现 is there for the political term?
在超出任期时间的时候 You know the issue of a lot of temporal strategies
你在制定策略的时候会多大程度上 being things that need to necessarily play out
考虑这些 between 4 and 10 years
是否要让这些策略到下一任期时还能实行 and extending beyond political terms
主持人: 想办法让人买账 and to what degree is that considered
某个人会掌权 when creating strategies meaning things
一段时间 that can kind of survive or have their own sort of?
而往往 [Host] A good selling strategy.
某个人的政治意愿 The fact that somebody is in office
会多多少少有一定的影响 for a certain period of time
演讲人: ???是 you know this has always been the case
规划部门某位主管的"杰作" the political will of specific individuals
他说这片地区即将成为 has often had more of an impact?
维也纳城的未来 [Speaker] [German] was the work of
这只是他自己的雄心壮志 some of the director of the planning department
对维也纳来说 who said this area is going to be
进行这样的长期规划太过昂贵 the city of the future for Vienna
这也是为什么 it was just his personal ambitions to do this,
他们最后对此地做了临时应用 for the city it was extremely expensive
但当然政治意愿对此有影响 to run this long planning process
而当我们在阿姆斯特丹的时候 as you can imagine there was a reason
与当地的规划部门交涉 why they finally had the interim use
谈到了Iberg的规划问题 but for sure there has to be a political will.
这里是否有 And when we were in Amsterdam
建筑加留白这样的建筑元素在里面 and we were talking to the planning department
他们说 不 and were asking about the master plan in Iberg
这太贵了 我们不能再来一次 and said is [German] component in it
所以这还是在于 like the solid and void rule set
决定这件事是否值得的人 and they said no
有越多的先例就越好 this was so expensive we can't repeat this once more.
到最后 如我所说 So it depends specifically on people
还是经济元素在作祟 who are committed to say it is worth it
主持人: 我们需要一个有野心的城市规划者 and the more precedence studies we have the better
来引领这个城市 so at the end as I said
还有别的问题么? 最后一个问题 the economical component that gets into it.
观众: 接着刚才那个问题 [Host] We need an ambitious urban designer / architect
这里26年来所实行的规划 leading at the level of the city.
似乎都受政治的影响 Any other questions? Ok one more last one.
事实上 城市规划中 [Audience] Kind of follows up on that
这些建筑都由政治决定 practicing for 26 years here
我在想 你们在这里的设计室 it is seems to be run by politics,
多久会 urban planning actually seems to be
让城市中的领导人 where architecture literally is from politics
听听你们的想法 I'm wondering your urban design studio here
主持人: 好问题 how often are you bringing
演讲人: 城市实验室都有自己的工作室 the political leaders of the city down here
大卫上学期也管理过一个 to see what you're thinking about?
它邀请各行各业的人前来 [Host] A fair ball actually.
开发商 附近居民 [Speaker] Urban lab studios all have workshops
社区成员 景观设计师 so the one that David was running last semester
城市实验室的一个目标就是 had all the planning people coming from
让这些人聚在一起 developers are coming in, neighbourhood,
以一种更为开放的方式讨论 community, landscape architects
并重新思考 so it's a goal of the urban lab to
当我们在做70号港口项目的时候 bring these people together on one table
港口方面已经有了自己的规划 and to discuss in a more let's say open way
他们说你们不要再 what we could rethink
重新规划这里了 and when we did the studio for the Pier 70
而我们说 不 the port already had a master plan
也许我们这么做更好 said you know what you should not think
当他们来到这里 to re-programme the site,
就发现自己想到港口可以 and we said no no
用这种方式加以呈现 maybe it's a good idea that we do this
所以我发现学术界在这里所扮演的角色 and when they actually came
事实上非常重要 they thought we never thought about a perspective
非常感谢 that would unfold in a way like this
谢谢 so I see that the academia has a role in this