我是汤姆 方德斯很高兴为你们介绍 I'm Tom Fonders and it's my pleasure to introduce
今晚我们讲座的嘉宾尼尔 德纳利 Neil Denari this evening for our lecture. Neil once
尼尔曾在巴黎为一家航天飞机公司 worked as a technical intern in Paris for an aerospace
作技术实习 这家公司现在属于"空中客车" helicopter company which is now owned by Air Bus and
当他在那里时 他学到了工程设计的流程 whilst he was there he learned about the processes
和复杂的高科技机械制造 of designing engineering and fabrication of complex
更特别的是他参与制作了 hi-tech machinery. More specifically he was involved
工程图 旋翼叶片和高度 in the production of technical drawings, of rotor
机械加工部分的3D视图 blades and 3D views of highly machined parts.
这些在精度和细节方面的经验 These early lessons in precision and detail have had
对德纳利日后的作为一名设计师和 a great impact and were a significant on Denari's
教育家的职业生涯影响深远 并意义深刻 ongoing professional life as a designer and educator.
对跟随他多年的我们来说 For those of us that have followed him over the years
这一点传记式的情节只展示了 this little know biographical factoid provides a
他丰硕作品的一小部分 比如抽象 small insight into his prolific output as speculative
图纸 安装 出版物和建筑 drawings; installations; publications and architecture,
这极大地挑战观众或用户去区别 where the viewer or the user is significantly
定义建筑 机器 环境和 challenged to discern the normalative boundaries
主体的标准界限 defining building; machine; environment and body.
1983年尼尔 德纳利搬去纽约 在那里 In 1983 Neil Denari moved to New York where his work
他正式开始工作 各种技术都 explored formal impacts that various technologies
可以被运用到建筑上 他把前瞻性 could exert on architecture. A forward thinking
发挥到了极致 他也因此 position that he took to the extreme and for which he
受到了国际的关注并持续至今 received international attention that continues today.
在那里他当上了波尔舍克建筑事务所的 While there he worked as a senior designer at Polshek
高级建造师 继续展出他的作品和许多 Partners and continued to exhibit his work and numerous
博物馆 1988年他跳槽到洛杉矶 museums. In 1988 he shifted his practice to Los Angeles
创建了Cortex Architecture 后来成为 and began Cortex Architecture which later became Neil
尼尔&德纳利 Architects 在80年代后期 and Denari Architects. In the late 80's he launched
他启动了与日本17年的合作 his now 17 year association with Japan, a country
他定期在那个国家授课和做讲座 where he has taught and lectured on a regular basis.
在Shabira理工学院教书时 While teaching at the Shabira Institute of Technology,
德纳利在东京住了8个月 Denari lived for 8 months in Tokyo. His experiences
他在那里的经历和他在巴黎的经历一样 there like those of his experiences in Paris have been
已经成为了多种城市形态和 a constant reference on phenomena as diverse as urban
时尚设计的固定参考 他的第一个工程 morphology and fashion design. His first project
于1996年建于日本 build in Japan in 1996
"被打断的预测展" The Interrupted Projections
现在已经为一系列来自 Exhibitions has now been followed by a series of bank
三菱信托的银行工程所继续 还有其他 projects from Mitsubishi Trust and for other experience
经济和商业 自1986年以来 德纳利作为 economies, business. Since 1986 Denari has had a
一名教师已经做出了杰出的事业 以他在 distinguished career as teacher marked by his
1997年至2001年担任 appointment 1997 to 2001
建筑学院院长为代表 as the director as SCI-Arc
现在他在加州大学 and he now holds a position
洛杉矶分校担任在校教授 as Professor in residence
他是两本最畅销书作的作者 at UCLA. He's the author of two best selling books
《被打断的工程》和《陀螺水平仪》 Interrupted Projects and Gyroscopic Horizons,
他的下一本书叫作《思考》 将在 his forthcoming book called Speculations On will be
2009年发行 2002年他的书被纽约的 released in 2009. In 2002 his was given both the
国家设计学院授予了Richard Recchia奖和 Richard Recchia Award and the Samuel F.B. Morse Medal
Samuel F.B. Morse建筑奖章 for architecture from The National Academy of Design
我觉得他今晚在衬衫下面正戴着 in New York, and I think that he's wearing his medal
他的奖牌 仔细看 他的作品 under his shirt tonight, look closely. His work is
被收录在世界各地的博物馆 包括纽约 collected by museums around the world including the
现代艺术博物馆 匹兹堡库珀-休伊特和 MOMA in New York; the Cooper Hewitt and the Heinz-
亨氏-卡内基展览 最后 Carnegie Collection in Pittsburgh. Finally he
他在全世界已经做了200多次讲座了 has given over 200 lectures on his work around
我们很激动 the world and we are thrilled that we are
今晚我们帮他达到了第300个 helping him to get to number 300 this evening.
那么 请跟我一起欢迎尼尔 德纳利e So please join me in welcoming Neil Denarie.
汤姆 非常感谢 很高兴来到这里 Tom thanks very much it's great to be here in this
这么好的设备 它看上去真的太棒了 great facility it looks really amazing and I want to
我祝愿AIDA在接下来五年十年里一切顺利 wish AIDA all the best in the next 5, 10 years,
祝你们好运 总之 我希望今晚的讲座 good luck. Anyway, I want to give a pretty straight
非常简洁明了 我想简单地谈谈 forward lecture tonight, I simply want to talk about
我的工程 并试着基本结束我 my projects and try to essentially fold in the preamble
在演讲中通常运用的开场 某种设定 that I might usually give in a talk, a sort of set up
理论上说是在讲工程的背后 which in theory is lets say with the projects behind
提供某些故意的证明 我觉得我们 offering some sort of attempted proof shall we say
可以称之为建筑学上的危险术语 然而 a dangerous term I suppose in architecture. However,
在过去五年 事务所有能力我们说 over the last five years as the office has been able to
投资到15到20年的建筑和设计研究上 lets say capitalise on 15 to 20 years of research in
并有能力建设一些工程 architecture and design and be able to construct some
今天的主题在某个层面上 这个 projects. The issue today at one level and this isn't
严格来说并不是一个专业实践层面的讲座 strictly a lecture about professional practice level,
一方面它不会是学究式的 I wouldn't be so sort of pedantic on the one hand.
但它是关于如何思考 But it is about how to speculate in a world where if
在一个一方面你们已经了解了很多 on the one hand that's all you knew for years and
很多年的世界里进行思考 years and years
因为那里没有压力 because there was no pressure or
或责任区传递任何东西 只要理念 responsibility to deliver anything but ideas, here
这里在我们现代世界里的理念实际上 ideas in our kind of contemporary world they actually
他们的工作必须有信誉 have to find a level of credibility such that they work
并在一定环境下工作 他们也许必须 and they work in a certain context, they might have to
在一个纯美学或美的环境下工作 work in a context of pure aesthetics or beauty if a
如果客户那样追求的话 也可能必须 client is searching for that. It may have to work in
为了核心发展方案工作 在这种环境中 the context for a hard core development scenario where
你要参与牟利 you were participating in that regime of money making
或可能在其他任何环境下工作 or it may work in any other number of settings,
在这些环境中人们总是尝试去发现 where one is always trying to find in which speculation
继续思考 继续实践 continues and which a practice continues to work very
以非常非常努力地去发现 very hard at trying to uncover questions about
当代文化的问题 所以它给了我一个机会 contemporary culture. So it gives me a chance now with
和一定数量的建筑作品 但还不是非常充实 a certain amount of built work not super substantial
和在不久的将来能有更充实作品的希望 yet with a hope of more substantial work to come really
实际上 去思考这本书和这次讲座 the future is in front. To actually kind of meditate on
这些以书本和工程形式的问题 these questions in book form and in project form in
书名叫做《思考》 this book and lecture called Speculations On which as
正如汤姆说的传记在某种程度上一方面 Tom said the biography to a certain extent alludes on
暗指旅行和一种对不同地方 the one hand to travels and a kind of accumulation of
和不同文化比如很多人的经验累积 experiences in different places and different cultures
但我认为 这简单地提供了一种 like a lot of people. But is simply provides a kind
丰富的材料灌输在作品中 of rich material to I think to infuse into work that
一方面试着在一个商业的世界里不 on the one hand tries to be unassertively commercial
那么商业化 如果那不是太多的 in a commercial world, if that's not too much of a kind
怪异重复的话 但那是我们的小困扰 of weird tautology but that's a bit of our obsession.
我们想要参与到所有 We want to participate in all of the matters that make
使建筑变得可行和合理的事物中 architecture become sort of viable and logical whilst
而我想仍然意图重写我们自己的规则 still attempting to rewrite I suppose our own rules.
如果建筑 这是一种幽默 If architecture, and this is a sort of humorous point,
如果建筑是种棋盘游戏"强手棋" if architecture were bit like to board game Monopoly.
我会说建筑是处于一个局面 你知道 I would say architectures is in a phase of you know
当你拿到"通过"牌并获得200美元 when you get the card Go passed Go and collect $200
或你有可能进监狱 我有一段时间认为 or you're in Jail possibly. Architecture was in jail
建筑是在监狱里的 现在我认为我们 I believe for a while. And now I believe that we're
处于一段就是"通过"的时间 但我们说那是 in a time of just passing Go but lets say that's a
一件非常非常好的事 very very good thing
因为我认为在过去的7 8年里 because I think over the last 7
随着像大都会建筑事务所和赫尔佐格设计 or 8 years with the raise of offices like OMA and
事务所等等事务所的兴起 Herzog and so forth
以及拥有足够资金 and mega projects with enough
支持的大型工程 money behind them whatever
不管怎样人们总想从政治上 one want to think about
来考量它们 像北京 这些工程已经给予 them politically, Beijing etc. These projects have
或赞助一定建筑师 有趣的是 given or sponsored certain architects and in a funny
他们代表了全球的建筑文化 way they represent architecture culture globally to
只是运用新工具 新材料 新的空间可能性 just make projects with new tools; new materials; new
新的几何形来做工程 观察会发生什么 spatial possibilities;new geometries to see what happens.
在某种程度上要保留或回避 To a certain extent withhold the questions or stall
这些问题 因为我们需要建造一些证据 the questions because we need to build some evidence
然后也许我们会看看发生了什么 and then maybe we'll take a look and see what's going
我认为在过去十年里学校也有 on and I think it's also the case in school a little
这样的情况 随着工程的激增 bit over the past 10 years as work has proliferated,
理念不自由或缺乏严密或态度傲慢 not idea free or without rigor or sort of in a very
但真的在一种前沿世界里 cavalier manner, but really in a kind of world of
想要利用新的可能性 frontier that wants to take advantage of new
我认为对于我们 我们的工程很有可能 possibilities. I think for us our projects are probably
处在那股气流中 一方面我们需要 in that slip stream on the one hand of we need to
制造证据 我们需要在其之内推动思考 produce evidence, we need to push speculations within
而作为我们自己的小众文化 我们的确 that yet as our own sort of small culture we do try
试着在把自己时不时监禁起来 to put ourselves in jail from time to time to kind of
去经受一系列问题 我们想中止那些 suffer with a series of questions which we want to
与工作相关的 从这个意义上说我们 pause it relative to the work. In that sense we're
非常集中于继续这种 very much focused on continuing the conversation in
经过思考的时尚会话 包括已建造的和 this kind of speculative fashion. Including built and
未建的工程 事务所在过去8年 unbuilt projects some 35 have been produced in the
已经制作了大概35个 不是最多产的 office in the last 8 years not the most prolific
但我们在努力 你们可以看见它们席卷了 but we try. You can see that they kind of wind up
主要城市的水平线 across a kind of horizontal line in major cities;
洛杉矶 纽约和在日本 还有少数 LA, New York and in Japan with a kind of scattering
为实现的工程散布在美国的各处 in the US a few unrealised projects here and there.
一个在欧洲建成的小型工程 One small project realised
一个正在哈萨克 in Europe, project ongoing
斯坦进行的项目 和在韩国有希望的工程 Kazakhstan; and hopeful projects in Korea. We're just
我们简单地走相同的路线 simply treading many of the same paths that these
这些建筑师一方面打开了国际的 architects who on the one hand have opened doors
大门 如果他们没有使自己 obliviously internationally, and if they haven't had
面向国际 那么当然 全球经济 themselves opened doors then certainly global economies,
中国如我们所知的已经在东方崛起 the rise of china in the east as we know have.
在我们探究亚洲工程之前 我想 Before we explore about projects in Asia I want to
谈一点在北美的工程 talk about a few projects in North America, and I'll
我会从HL23大厦开始 它是我们目前 begin with Highline 23 it's our sort of largest project
最大的在建工程 从2005年起就一直 in construction at the moment and it's been an ongoing
在进行 从这个意义上我们进入了 project since 2005. In that sense we enter into the 5
五年计划或者在这一案例中是四年半计划 year project or the in this case about a 4 and a half
花这么长时间真的是建造单一建筑 year project really the time it takes to build one
与之相反 我们说日本国内的 single building as opposed to let's say interior
工程可以在六个月之内设计好 构思好 projects in Japan which can be designed; conceived;
做好材料并建设好 因为 documented and constructed in 6 months because of
那里的技术和时间安排 这里是纽约 the skills and timeframes there. Here's New York and
此刻是在曼哈顿 曼哈顿是一种 this is also Manhattan at the moment. Manhattan is a
虚拟岛 甚至和任何其他环境都不同 kind of virtual island even more separated from any
因为他是种在真正房产市场中的价值 other context because of it's kind of value in the real
我确定你们都意识到这种 estate market I'm sure that you are all aware of this
巨大建筑是40到50个知名建筑师的工程组成 kind of giant building boom of 40 - 50 projects by
在纽约 不那么知名的建筑师 well known architects and not so well known architects
建造公寓 我在20世纪80年代时 building condominiums in New York. I lived in New York
在纽约生活过 那时最好的建筑师是在 in the 1980's when the best architects were building
建造公寓 暴露混凝土板 砖和 condominiums with exposed concrete slabs, brick and
穿孔窗户前置填充物 那样的很多 punched window store front infill and that was pretty
现在随着全球经济的兴起 much it. Now with the rise of this global economy,
一方面我们理解曼哈顿正在 on the one hand we understand that Manhattan is
成为一种虚拟游戏场 但我当然不会 becoming a kind of virtual playground but I certainly
想要再这种情况下去反咬衣食父母 wouldn't want to bite the hand that feeds in this case,
在这种情况下投资不仅是真正房地产考虑 in this case feeding a frenzy not only of real estate
而且伴随建筑的考虑 speculation but also concomitantly architectural
我认为有了大都会建筑事务所的工程 speculation. I think with projects by OMA and
和新泽西 Richard Rodgers Richard Mayer New Jersey and Richard Rodgers and Richard Mayer
和布鲁克林的工程等等 我相信曼哈顿 and Brooklyn and so forth I believe Manhattan is
要么在扩张 要么其他机构在 either spreading out or the other bureaus are really
重新定位他们自身 回到这个惊人的 sort of resituating themselves back to this incredible
房地产集群 我们的工程落在 kind of cluster of real estate. Our project falls in
西切尔西旁边 在城市的西侧 the West Chealsea neighbourhood on the west side
这是HL 我确信你们 of the city. This is the Highline and I'm sure you
都知道高线公园工程 它现在正在建造 all know about the Highline park project which is
是由詹姆士·康纳的Field Operations being constructed now designed by James Corner Field
还有Delorosa Video和Rentfrow设计的 Operations and also Delorosa Video and Rentfrow
这里是一些中部城市的标记 here are some of the monuments of mid town. And our
我们这项公寓工程的地址在第23大街 site for this condominium project falls nearly at the
接尾附近 这是纽约一条非常非常著名 end of 23rd Street a very very well known street in
的街道 连接了麦迪逊广场 老麦迪逊 New York, connecting Madison Square, the old Madison
广场花园 这是新的 比60年代末稍微 Square Garden, here's the new one, newish newer one
新一点 其他标记像 from the late 60's and other monuments such as
伦敦平台 可能是纽约最大的 London Terrace, probably one of the largest single
单式公寓建筑之一 我最喜欢这里 apartment buildings in New York, my favourite here,
切尔西酒店 鲍勃·迪伦 席德·维瑟斯 the Chealsea Hotel, Bob Dylan, Sid Vicious, Wooly
Wooly Massberouse 辐射出特定种类的 Massberouse sort of radiating out that particular kind
当代文化和周边的艺术馆 of contemporary culture and the gallery neighbourhood
我们曾得到一个选址差不多就是一个 around. We were given a site that pretty much is a
你在研究生院得到的选址 那些 site that you give in graduate school, one of those
难以想象的工程之一 你相信那里的 unthinkable projects where you believe that there are
设计方案一方面会以一种特别的高雅类型 schemes built in of a particular type of elegance
建造 另一方面又极具挑战 我们正在 on one hand and challenge on the other. We are looking
高线上往南看 在2005年一个美好的夏日 south on the highline on a nice summer day in 2005
这里是伦敦平台 here's London Terrace our virtual
越过我们虚拟的城市轮廓线 skyline beyond and
和我们的选址 那是穿过选址的一个街区 our site which is a block through site owned by the
由客户所有 在街区南侧40英尺×99英尺 client, a 40ft wide by 99 ft wide footprint on the
的区域往北看 这里是 south side of the block looking to the north here's
连接点 现在已经变成了 the contacts which has now already been changed by
附近建造的其他公寓工程 other condominium projects built in the neighbourhood.
这周边现在是住宅到弗兰克·加里大厦 This neighbourhood is home now to Frank Gary Building.
穿过大街是让·努维尔的一个工程 和我们 And across the street a Jean Nouvel project for the
还有Shigeru Ban等是同一个客户 这是个 same client as ours and Shigeru Ban etc it's a virtual
虚拟世界的集市 似乎新的建筑提供了 world's fair it seems of new buildings offer the
住房计划 就弗兰克事务所来说 program of housing. In the case of Franks office
建的是单一建筑 不会归于 building really the single building which is not
那种计划 这里是我们的选址 falling into that program. And here's our site
就在这里 实际有25英尺宽 right here there's now actually a 25 foot wide
因此在这一空间里实际上有 building here so in this space there are actually
两幢楼挤在一起 two buildings that are getting squeezed in.
现在如果你相信再生 像我在这一 Now if you believe in reincarnation as I suddenly
工程里突然所做的 这个建筑跟以前的 did in this project this building was the doppleganger
很相似 那是2001年联合广场北的 that came before, this was a project for 2001 for
一个工程 28英尺宽 union square north, 28 feet wide in this case.
所有的FA都要挤在一个街区 挤在 All of the FA are pushed through a block through
这个地方一直到街区的南侧 site all the way to the south side of the block.
一栋公寓 每层一个阁楼 芯板偏向 One apartment, one loft per floor, bias core on
东边 非常非常高的天花板 逐渐 the east side, very very tall ceilings graduating
降到18到10英尺 这是一个技巧 可以 down 18 ft to 10 ft this is a trick be able to
在较低楼层明显得到更多光照 obviously get more light in on the lower floors with
把共用墙的位置叠加起来 得到更多高层 party wall situations stack up more apartments up in
房间 所以我们初次尝试一种核心曼哈顿 the sky. So we got our feet wet in a way with sort of
城市分区的方式 这完全 hard core Manhattan urban zoning and this completely
符合我们不能放任何可操作的 conformed to the zoning we weren't able to put in any
窗户在共用墙上的分区 由于我们 operable windows on the party wall since we were
在共用墙上做了文章 尽管我争论 working on the party wall even though I was arguing
一些这些斜坡是正好不在共用墙上的 some of these slopes were sort of right off the
2001年 你们知道的 取消了很多很多 party wall. 2001 as you know cancelled many many
纽约的工程 它只是一种奇怪的 projects in New York and it was only a strange kind of
犹豫 这样就只暂时妨碍了曼哈顿 hesitation in a way that simply prevented momentarily
发生更多的思考 only more speculation from happening in Manhattan
因为2001年正是第一座Richard Myer塔 because 2001 was about the time that the first Richard
在西村建成 Myer Towers were being completed in the West Village.
因此我要给你们看一系列分区图标 So I'm going to show you a series of zoning diagrams,
我们用分区建筑物的基本框架展示 we were presented with a zoning envelope that we asked
我们曾要求以7中不同方式超过或改变框架 to exceed or change in seven different ways and our
这一选址上的客户必须弄明白 client who was in position of the site had to figure
一个工程是否可以按他的条件建造 out if a project could be built on his terms and his
他的条件将使一个工程大于 terms were to make a project that was bigger than what
分区所能允许的 大概有2 3个理由 the zoning would allow probably two or three reasons,
一个是经济原因 二是这是一个 one yes it was financial reasons and two it was a
关键地点 这里有官司 lynchpin site, there were lawsuit on this site,
还有疯狂的业主等等 要是一个工程 there were crazy owners, etc. Where if a project could
能在这里成功的话 不仅是从体积的层面 somehow succeed here not only on a volumetric level but
更是我们说从一个小型景观的层面 lets say also on a mini spectacle level, the politics
那政治将发挥作用 诉讼也会减少 would be invoked, lawsuits would be dropped, a lot
高线沿路就能发展起来 of development along the highline would happen.
这跟我们没有什么关系 除了 This had nothing to do with us per say except the
我们经手的 extent to which what got put into our hands was a
那是一个挑战 无论是解决财务问题 challenge both to resolve something financially
还是解决文化层面的问题 因为 but also resolve it on a cultural level because
如果我们不能同时做到 if we couldn't do both
这个工程就不能进行 the project wouldn't go.
25英尺宽就像隔壁那栋楼 25ft wide just like the neighbouring building next
这个分区例外显示了建筑的5英尺 door, this zoning exception shows 5ft of a building,
在顶部有一个适度的下滑 实际上悬挂在 a modest slither at the top, to actually hang over
高线之上 除了一两个挑檐 它是曼哈顿唯一 the highline. Besides a cornice or two, it's the only
真正的大型空间 实际上 actual volume of space in Manhattan that actually
位于公共空间 背面是利用悬臂支撑的建筑 sits over public space there are cantilevering
就像惠特尼山就在它 buildings in reverse like the Whitney that sits on
自己脚下 我们当然是按比例和 it's own footprint. We did this of course to work on
工程轮廓方面做的 the proportion and project in terms of its profile
也增加了更多的建筑面积 但只是次要的 but also to gain more square footage however minor
对高层来说回报非常非常高 but for the upper floors very very high return.
在高线这里有一个山坡 实际上 We have a spur in the highline here that actually
有占掉地基的5英尺 部分使得 encroaches on to the site by 5ft part of which made
地基开发变得有点难度 如果不是巨大的 the site a little bit difficult if not tremendously
困难的话 因为人们肯定会知道 difficult to develop because one certainly would know
你会损失很大的容积 因为 that you were going to lose a lot of volume because
52英尺的纵向平缓接合是必须留的 a 52ft easement vertically had to be invoked.
火车一天就可以回到高线 One day trains may come back onto the highline.
那就是他们设想有可能发生的 That's what they imagined might possibly happen
因此我们必须遵循 但与此同时 and so we had to respect that, but at the same
我们其实还是以一种跨越高线的 time we are actually building in a way beyond an
方式在建造 在大楼前面 over the highline again, in front of the building
第23大街沿街墙强制规定为102英尺 street wall is mandated up to 102ft on 23rd street
但当然这个斜坡不都需要那样 but of course the spur does not all that to happen
所以这些凹地在一方面很大程度上 so these folds are very much by on the one hand
充分缓解了高线的结构 providing enough sort of relief from the structure
使其能够合理建造公寓 of the highline to be able to make reasonably an
公寓也能被合理使用 apartment that can be inhabited very reasonably.
在这种情况下 我们要求人们典型地 In this case where one would typically have to
必须沿着这一斜坡后缩90° have a 90 degree set back along this slope we asked
假如我们可以把城市再建在斜坡上 the city if we could build it on the slope again.
我认为Ramond Abrahams奥地利学院也许是 I think Ramond Abrahams Austrian Institute might be
其他唯一一家那样例外要求的 the only other building that asks for that exception,
我们后面大了5英尺 就能够在 and we are 5ft bigger at the back to be able to
内部计划的交涉中更加慷慨一点 negotiate interior plans a little bit more generously.
顶层公寓 这是这里分区基本框架的 And the penthouse on top, this is the limit of the
不足之处 145英尺 你可以把 zoning envelope here, 145ft, you may put your
机械和护墙放在那条线上面 mechanical and your parapets above that line but we
但我们想尽办法以满足客户的要求 went to great lengths at the request of the client
把二楼嵌入双层公寓套房 to insert the second floor of a two story duplex.
你做这个工程必须一方面 Again you have to sort of work on this project where
像所有房地产工程 on the one hand like all real estate projects the
对此的要求可能是使工程进行的 demand for this is perhaps the lever to actually make
一个杠杆 因为那大概价值400到 the project work because that's probably worth 4 to 4
450万美元 这对我们平常人是非常 and a half million dollars, numbers that are very
难以想象的数字 hard for us mere mortals to kind of consider but
但他们开始从工程的财务上争论 ，they start to make arguments for projects financially
说一方面似乎和思考的意义相去甚远 that on the one hand seem incredibly distant from
作为一名建筑师 what does it mean to speculate as an architect yet
正如我在学校里会说 当你手头没有 as I would say in school while you don't have budgets
预算时 你要努力解决 typically that you're dealing with, you're struggling
重力问题 或者要是你十分倾向于 with gravity or the camber of a beam if you're
拱形梁的问题 或者特定空间的诗意 so inclined or the poetics of a particular space.
与此同时 你总是要寻找 And at the same time you're always looking for
局限因素和变量 如此资金 limitations and sort of parameters. In this case money
就不会成为局限因素 它实际上变成 doesn't become a limitation it actually becomes
一个推动因素 建筑必须做一定的事情 an agitator, the building must do certain things
以能够为其创造一种生活 如果不能 to be able to create a life for it, if it can't,
如果它不起作用 那么这个工程就 if it doesn't work then the project doesn't manage
无法存在下去 我们的客户要求我们面向 to stay alive. Our client asked us to face the public
南边的公共空间 每层一个公寓 当然是 space south, one apartment per floor, of course at the
在工程非常早期阶段 之后他还要求 very early stages of the project after he also demanded
有一个完整的幕墙工程 that we have a complete curtain wall project we
我们提议了briesalay系统 对正面直接朝南 proposed a briesalay system pretty logical for a
的格局相当具有逻辑 那时 directly south facing facade. And at that moment
我们被告知briesalay在纽约的市场 we were told that briesalay don't work in the
还没有 不能采用所有我们说太阳能 New York market place, defying all sort of logic for
控制的逻辑 当然你通过整体玻璃墙 lets say solar control. Of course you can make it up
作为补救 那有高性能的涂层在上面 with integrated glass units that have high performance
和石英粉遮罩在背面 这是最后我们 coating on them and Mecho shades behind, which we in
创造了出来作为整面墙的系统 the end create as a total wall system and still this
这个建筑依然会是金牌工程 building will be a gold rated project it's both one
它一个层面上也是引用了主导评级系统 level of invoking the slightly dubious nature of the
略微模棱两可的性质 因为对我来说我们 leads rating system because to me we should have a
应该有briesalay系统来替换这个项目中 briesalay system on this to relieve the work that the
必须使用的玻璃 但另一个层面当你 glass has to do but on another level when you're
处理市场情况时 一个在曼哈顿建设 dealing with conditions of a market which vaguely
世界中美学问题定义不明的市场时 identifies aesthetic issues in the world of Manhattan
它不是完全精确的 至于 construction now it's not totally precise as to
美学议程的设置正在失去作用 what set of aesthetic agendas are being played out
因为它们范围太多样化了 because there's such a diverse range of them.
因此这里是工程的艺术馆空间 小型会客室 So here's the project gallery space, micro lobby,
非常日式的规模 40英尺宽 我们只从高线 very Japanese scale 40ft wide we set back only 8ft
后缩了8英尺 并且倾斜到40英尺 是这个地方 from the highline and we slope out to 40 ft the full
全部的宽度 真的是尽最快的速度 width of the site really as quickly as we can really
建造了这些中间的公寓 从高线 to make these middle apartments that have these
往上往下的视角都很棒 amazing views up and down the highline and on out
往上45英尺有顶层阁楼 这里是一个 to 45ft with the penthouse on top. So here's a,
我觉得这个画面就是种开始 谈到 I think this image just kind of begins to talk about
这个选址的独特性 当然是种 the uniqueness of the site the absolutely kind of
微型人体工程学的关系 就像这些是 micro-ergonomic relationship as if these were two
两个人体或是一种赛马锦标赛或是 bodies or if it was a kind of a manikato or if it were
一头公牛 一头斗牛 那有一种关系 a bull and a bull fighter there is a relationship,
可以使人联想其这里所有的关系比喻 one can evoke all sorts of relationships metaphor here.
一个双层会客室 每层一个套间 A two story lobby a very small one apartment per
这里你也开始看见 floor and here you also begin to see the integration
建筑的整体框架 of the framing of the building which is expressed but
这加倍体现在一个二维的玻璃系统中 doubly expressed in a two dimensional fritted system
我会进一步解释 它给我们的工程 that I will explain more that gives the project
我们说一种继续耗尽 lets say in our case a way to continue to play out
我们对2D世界的兴趣 our interest in how the nature of the 2D world,
我可以说它有点禁忌 尤其来自 I could argue it's a bit of a taboo especially
建筑师的会比建筑本身更印象深刻 coming from an architect is more impressive than
就印象深刻方面 architecture itself. Impressive in the sense that;
你记得什么 你想的什么 what you remember; what you think about; what you
你经营什么 你购买什么 建筑一般 deal with; what you consume, architecture generally
是作为一个背景或一种模糊的娱乐 works as a background or a as a vague kind of
作为2D世界尤其是 distraction, where as the 2D world especially with
图像制造世界等等 不管是 the world of image making and so forth, whether its
电影 影院 电视 信息 书本 它只是 film; cinema; tv; information; books, it's only a
一种当代麦克卢汉学说 一种转折点 kind of contemporary mcluhanesque kind of moment
我感觉像我们必须使 where I sort of feel like we must invoke and make
建筑变得更可操作 architecture behave a little bit more operatable like
像图表的方式 那么它可以实际上进入 a graphic medium so that it can actually get into a
一个经验的世界 和现状相对 world of experience as opposed set itself away and to
试着去成为什么的守卫 这是2D不能的 try to be a guardian of something that the 2D is not,
我们不能对做什么阻碍建筑的事 we don't make that sort of ball work of resistance for
同时 密度和 architecture, yet at the same time the sense of density
建筑精度的意义当然同时 and constructive precision is of course at the same
对我们是压倒性的 time is overwhelming for us. So in the case of the
至于会客室我们曾试着考察 lobby we were trying to explore issues of lets say
这里的厚度 这关系到 thickness here which in relation to kind of virtual
其他材料厚度之间的实际填充物 pershay or infill between another thickness of material
铝和多孔玻璃 here, in this case aluminium with fritted glass.
所有这些表面的性质和 All of these issues of the nature of surface and nature
深度的性质和2D的性质和 of depth and the nature of the 2D and the nature of the
公寓的性质正在发生 正在以一种方式结束 flat are happening and are getting played out in a
一种我们想要大气质量 way in which we want the sort of atmospheric quality
在实际深度和比率深度之间振荡摆动 to oscillate and vibrate between true depth and a kind
的方式 和剖面性质相对的形态 of percentile depth and action as opposed to the
这种形态在慢慢退出 nature of a surface cut, which sort of plays itself out
像一种X光或扫描仪或方式来分析 as a kind of x-ray or scan or way to kind of analyse
表面的建筑深度 当然这已经是 constructed depth of surfaces. Certainly this has been
一种进行中的思考组合 从形式上 从材料上 an ongoing set of speculations; in form; in material
以及从几何学上 我们实践十年了 and in geometry for 10 years in our practice.
这是我们的工程 显然在高线的基础上 And here's the project, obviously at the base of the
我们高了25英尺 在城市里这是个 highline we're up 25ft, in the city this is just an
极好的走廊 这么漂亮的混泥土板 amazing corridor of space with this beautiful scheme
和野草等等的组合 of concrete planks and wild grasses and so forth.
就是这里 我们想象了很多 And it's here where clearly we imagined quite a bit
该工程的公共经验 因为如果 of the public experience of the project because if a
一个项目和一层叠一层堆砌11个套房 program lets say as ordinary or banal as stacking 11
一样普通或平庸 这多多少少 apartments on top of one another which more or less
给了这个地点 给了一定条件去开始 given the site and given certain conditions begin to
设计它们 背后私人空间 kind of design themselves, private spaces at the back,
前面公共空间 中间是分层的浴室 public space at the front, bathrooms and kitchens sort
和厨房 南边是壮观的景观等等 of layered in the middle, grand vistas and so forth on
如你所见 北边是高线 the south and as you'll see on the north more protected
受保护的地表 一旦所有那些东西 surfaces to the highline. Once all of those things
变成压倒性的逻辑 在某种意义上我们 become an overwhelming logic in a sense we sort of
发掘了这个工程就和我们设计了它差不多 excavated this project as much as we designed it and in
在这种意义上有些事感觉对了 我认为 that sense there's something that feels right i think
关于这个计划 about this scheme besides
除了邻近和城市里的一栋建筑 the fact that this proximity
很不相同的事实 is so much different than a building in the city,
首先因为这里没有店面 primarily because there's no storefront right here,
没有药店 你真的会检查 there's no drug store and you'll be really inspecting
就像一个公共成员和沿高线散步 as a member of the public and as somebody walking
的某人 顺便说一下高线沿街没有 along the highline, by the way there's no running or
跑步锻炼的 你只能散步或坐着 jogging along the highline you can only walk or sit.
所以你实际上会拥有这个建筑超好的经验 So you will actually have an incredibly nice experience
像一种垂直生态到水平生态 of this building as a kind of vertical ecology to the
和当前生态 Nichaliorosphof把这叫做 horizontal and presented. Nichaliorosphof calls this
怀孕的建筑 你们能看出来为什么 the pregnant building and you can see why. The overall
整体的形状和基本框架很大程度上是由 shape and the overall envelope is really a very much
从内向外的很多方式决定的 determined from many ways
和从外到内一样 the inside out as much as the
他们说这个计划变得本质上是 outside in. They said the plans become essentially
自我组织的 朝南 40到45英尺宽 self organising, the south facade, 40 to 45ft wide,
超级大的公共空间 然后我们把厨房 super big public spaces and then we work the kitchens,
中型卧室建成穿孔玻璃 middle bedroom into the punched windows and the big
大的主卧在背面 和非常硬的芯板西边的 master bedroom at the back and a very hard core west
循环芯板 相当有趣的 circulation core. What's been quite interesting
当然是工程结构上的工作 因为 of course to work on the project structurally because
它不是硬芯板 it's not a hard core kind of
不是种典型意义上的悬臂支撑 cantilever in the typical
而是一种渐变的悬臂支撑 随着建筑 sense but a kind of gradual cantilever as the building
从一个相对狭窄的地基一直往上 goes up from a relatively narrow footprint all the
至145英尺直到主框架 170英尺一直到 way up 145ft to the main framing, 170ft all the way
设备主体的上端 那里你会看见框架 up to the equipment bulk head and there you see the
现在这主要是一个钢铁建筑 framing. Now this is a steel building primarily
因为要符合几何学条件 because of the conditions of the geometry and
和建筑扭转和 because of way in which the torsion and the
翻转的方式 因为当然它简单地 overturning of the building because of course it just
想要一方面这样落下 simply wants to on the one hand fall over this way,
它在这个轴上是相对匀称的 除了 it's relatively symmetrical on this axis except for
这一个角 所以它想这样落下 this one corner so it wants to fall this way and sort
朝向你们 升降梯芯板由于数量 of toward you and the elevator core which as a huge
巨大的钢板在里面 产生了一种巨大的 amount of steel sheet in it makes a kind of giant
垂直悬臂支柱 可以在这种斜线支撑上 vertical cantilever column to do a lot of the work on
做很多工作 但所有这些斜线 the kind of diagonal bracing but all of these diagonals
都是 它们其实都是承重和受拉伸的 are both, they're actually both in compression and
这个框架是要尽可能轻的 tension and the framing is about as light as it can
以保证能建成 possibly be to make the building work. These are 8
这是8英尺的管子 其实当你们从远处 inch pipes that in essence as you read the project
看工程时它们实际上变得相对很细 from a far they actually become relatively thin.
现在 玻璃装嵌 我们可以说钢正在 Now the glazing, the steel is being fabricated in
蒙特利尔制作 玻璃正在中国深圳制作 Montreal as we speak and the glass is being fabricated
它会用顶部开口的集装箱 in Shenzhen China and it will come on shipping
海运过来 因为这些是11英尺半高 containers with an open top because these are 11 and
乘以20英尺上下的大量玻璃板 a half feet tall by 20ft plus or minus mega panels
那里我们称为分布梁 of glass. There's what we're calling a spreader beam
它连接焊接钢质竖框 which connects to welded steel mullions that have a
有不锈钢盖 其实背面 stainless steel cover, essentially with back to back
相连的玻璃组件有氧化铝窗框 integrated glass units that have a anodised aluminium
那是模型和磨损处 frames that are modelled here and the fret. The fret is
磨损处是186块分别的丝网 186 separate pieces of silk screen, it's an unthinkably
它一方面贵的离谱 我们实际上 expensive on the one hand thing and we actually had it
非常非常早就把它列入工程了 in the project from the very very beginning and what
十分神奇的是我们的客户想要 was quite fantastic was the minute our client attempted
评估设计的那刻 to value engineering we simply
我们只做了建筑墙壁的打底 did rendering of the
还没有它 客户对2D的效果感到很吃惊 building without it and he was shocked at the effect
我们把它摆到他面前 of the 2D had had essentially by putting it in
他一方面是非常 front of him somebody who on the one hand is a very
有经验的人 但听了我说 sophisticated person but to listen to my argument
2D形式易辨认 它可能会被应用到 about legibility of 2D form as it might be applied to
建筑上 听起来是种支架 building sounds kind of armatureish in a way but we
但我们能够也给这个工程做一个 were able to make this project also one about and that
并非常非常努力地避免出现 was working very very hard to get away from having a
拱肩镂板或玻璃或不透明材料的罩柜 spandrel panel or either glass or shadow box of opaque
因为在这种情况下这些事早期研究 material because in this case these were early studies.
这是结构梁 也是高性能的 This was the structural beam high performance too,
这里你可以看见管道在中心线交汇 here you see the pipes meeting at the centreline of
我们有防火隔墙和防火间距 that. We have our fire stop and fire separation and
石英粉遮罩 但我们还总是想要 the Mecho shades here but yet we always wanted the
沿着楼地板线全铺玻璃 glass to go all the way up to the floor line.
这不是第一个这样做的工程 但你只要看 It's not the first project to do it but you just see
它花了多少功夫才能够避免 how much work it takes to be able to get rid of a
大量水平线穿过建筑 number of horizontal lines across the building so what
所以我们现在有的是一系列分布梁管 we have now is a series of spreader beam tubes the
建筑实际的结构是这样 actual structure for the building is back here,
这是楼层设备和玻璃的厚度 this is the thickness of the floor package and glass
整体玻璃单元实际上贯穿所有 and the integrated glass unit actually passes all the
所以典型地 这里会出现 way up. So typically this is where you would come out
竖框或横梁 必须用 with a mullion or a transom here, having to make either
不透明的玻璃或把它变成遮光罩柜 an opaque piece of glass or this becoming a shadow
你们可以在Richard Mayer的工程看到那些 box you see those on the Richard Mayer projects,
斜坡的地方我们就简单地改了比例 where it slopes we just simply change the proportion
和分布梁的形状 不管是在 and the shape of the spreader beam whether on the
下置的还是倾斜的玻璃上 underslung or the sloped pieces of glass. And this
这是去年夏天的模型 你们可以看见 is the mock up from last summer, so you can see
效果 当分布梁在那里 the impression while the spreader beam is there it
它很大程度上是建筑楼层设备的 very much is referencing part of the floor package
参考部分 我们很努力地去 of the building. We pushed pretty hard to be able
得到一些11英尺长乘6英尺宽的玻璃板 to get something 11 ft tall by 6ft wide, the sheets
你们可以看见 按这种比例体它们 of glass and you can see in the scale body they are
相当庞大 在这种意义上 rather enormous and in that sense it works very
它在房地产水平会非常有效 very much on a kind of real estate level to be
能够使这种全图超过40英尺 able to make these kind of panoramas across 40ft.
这些事5英尺×6英尺的可用窗户 These are 5ft by 6ft operable windows, they are
它们都是机动化的 它们也是 你知道 all motorised and so they too, you know that's
那是1米82高的人 the height of 182cm tall person right there.
第13层 顶层公寓的第一层 And the 13th floor, this first floor of the penthouse.
这是浴室 也展示给你们 This is a bathroom which also shows you the
它和膨胀型上漆钢管的关系 relationship between the intumescent painted steel
超大的可操作窗户 pipes, the incredibly large operable windows and
体现了这种百万美元公寓的奢侈性质 in this case the kind of luxurious nature of million
顶层公寓的上层 dollar apartments. And the upper floor of the penthouse
我们也做地很努力 要制作一系列 which we've also worked very hard to make a series of
滑动门来避免给它们做柱子 sliding doors avoid having to have a post for them to
在角落会碰到 这些正在意大利制造 meet in the corner these are being produced in Italy.
同时金属板正在布宜诺斯艾利斯制造 Metal panels meanwhile are being produced in Buenos
它们是三维冲压的板 Aires, they are 3 dimensionally stamped panels they
11英尺6英寸长乘18英寸高 are 11ft 6 inches long by 18 inches tall and they fit
它们也能适用大型板系统 会被 in also into a mega panel system which will be lifted
吊上去 它们来自长岛 在那里 into place, brought out from Long Island where they
会在这个次框架系统上进行组装 will be assembled on the back of this sub framing
现在金属板给它们的比例 system. Now the metal panels given their proportion
是能够包住建筑的大小 was all about being able to wrap up the side of the
而不用任何弯板 building without having to get into any curved panels.
我们想要3D质量的板 但我们想要 We wanted a 3D quality to the panels but we wanted them
板内部自成一体 to be integral to the panel themselves. These are
这些是抛光的钢模具 我们有一个一英寸 the steel dies that were milled. We have a one inch
的支管在板的0基线和变形之间 offset between the zero baseline of the panel and
这里你只可以看到 the deformation here which you can barely pick up
一些图像 但那是一种 in some of these images but there's a kind of
钟形曲线 实际上散布在板的中间 s-shaped curve that actually floats in the middle
穿过板的尾端 of the panel. It crosses the end of the panel in a
你们看到就在这里 当然 way lets say where you see right here where of course
你不能从板的边缘打破它 所以 you can't break from the edge of the panel so all of
每块板的所有尾端必须激光切割 the end pieces of every panel must be laser cut and
缝隙焊接在一起 造出一种 tack welded into the ends to actually make a kind
脊状的3D板 这个通过接缝使之 of ridged 3D panel and the idea about running the
变形的主意对垂直接缝当然是 deformation across the joint was of course to
不重要的 至于 deemphasis the vertical joints in the case of
正面朝东的实际上是把水平接缝 this eastern facade to actually make the horizontal
变成了主导的条纹 这里是全部的 joints become the dominant grain. Here's the whole
部件 你们可以看到 从卡车上搬出 assembly that you see here bought out on the truck
连接到基础结构上 还有 and connected back to the base structure. And some
其他一些细节 这些也是非常非常大的 other details, these are also very very large 5ft by
5英尺×6英尺的冲孔窗户 正面朝北和 6ft punched windows. The relationship between the north
上釉的光泽性 facade and the kind of flush nature of the glazing,
二维熔料系统的性质 the nature of the kind of 2 dimensional fritting
还氧化铝的大型钢板 system, the thickness of this mega panel which has an
的厚度之间的关系 anodised aluminium trip all the way around, kind of a
是某种独立规模性质也是我们工作的测试 test to the scale free nature also of our work which
我们经常被认为是一种危险的工作 is quite often thought of to be a kind of dangerous
不能理解会发生什么 当你提高 idea not understanding what happens when you raise the
什么的规模 或缩小什么的规模 scale of something or you shrink the scale of something.
我认为我们对建设和对物质的注意力 I think our attention to construction to materiality
允许工程有些抽象的想法 allows some of these abstract ideas of the project
这里厚度 两层并排 of expressing thickness here, two thicknesses side
在这种情况下 是陶瓷玻璃料和中空玻璃 by side, in this case a ceramic fritt and an IGU and
它们的厚度实际上是工程应用的 in this case the thickness of actually the applied
基本框架 这是大约一个月之前的 envelope to the project. And the site as of about a
我可以确定如果你已经在纽约 month ago I can assure you if you've ever built a
建了幢楼 你知道这是个不可思议的战场 building in New York you know it's just an incredible
关于多少人在这里牺牲有太多玩笑话了 battle field. Too many jokes about how many bodies
不对我的口味 但我是意大利人 所以我 might be under here for my taste but I'm Italian so I
可以接受 我们的承建商是意大利人 我们的 can get on board with that. Our contractor is Italian,
结构工程师是意大利人 我们的工程物理学 our structural engineer is Italian, our MEP is engineer
工程师是意大利人 我不知道这意味着什么 is Italian and I don't know what that means but,
我纽约事务所的工程建筑师 and the project architect in my office in New York
是意大利人 可以补充一点事纯血统的 is Italian, full blooded i might add.
好吧 在洛杉矶我们最近完成了 Ok. In Los Angeles we recently finished
一个住房工程 针对非常不同的条件 a house project for quite a different condition.
事实上情况是思考任何你能想到的 In fact the situation was speculate on whatever
那是你唯一能做到的 you can think about, that only what you can make.
构思怎样在一种竞争的环境下 Going form the idea of how does design sell in a kind
卖出设计 在纽约的环境下 of competitive environment, the environment of New York
为适中的中产阶级家庭设计 他们珍惜 into a kind of modest middle class family who cherished
自己的家 他们显然想要这个工程是 their own home, who obviously want to have this project
为他们和他们的家人而做的 永远 to be for them and their family literarily forever.
这是幢1000平方英尺的房子 在车库有一个 It's a 1000sqft house with a temporary quarters in the
3个女孩中的2个的临时房间 这几年一直打算 garage for 2 of the 3 girls, attempts at design across
把这地方设计一下 内部要增加 the site over the years, various colour choices all
各种颜色的选择 这个家庭 which proliferated into the inside. The family was
准备做一个突破 此外他们需要 ready to make a break besides they needed bedrooms
三个女生的卧室和父母新卧室 for the three girls and a new bedroom for the
小面积的房子 我们的提议是 parents. Tiny footprint house, and our proposal
简单地造一个车库 was to just simply make a carport and send a new
把现有房子的一半变成新的而建筑 building through essentially half the existing house,
改变这个房子 本质上把它和 to kind of modaclark the house and essentially
我们做的一个工程相交叉 那个工程我们 intersect it with a project where we have an autonomous
有自主的设计 前面做了添加 内部空间 figure an addition in the front and a kind of sleeve of
做了封套 那样就和后院连接起来了 interior space that for them connected the backyard
他们之前从来没想过要连接 that they essentially had never imagined to be
因此这个地方下沉的很厉害 connected primarily because the site falls drastically
从街面往下至后院 所以这里是 from the street down to the back so this simply was
种阴暗潮湿的环境 不相连 a kind of dark wet environment that they weren't
这是我们关于这个想法的早期设计 connected to. So here was our early design with the
让新房子通过套管的新空间 idea this essentially new house being slid essentially
渐渐陷入地下 underneath with a sleeve of new space here.
你们可以看见这个计划反映出给11 14 16岁 And you can see the plan reflects 3 bedrooms for the 3
三个女孩的三间卧室 父母的新主卧套间 girls aged 11, 14 and 16, new master suite for the
很有创造性的家庭 还有一个新的大厨房及 parents, creative family and a new large kitchen and
饭厅 这个父亲是电影宣传片和电影营销 dining space. The father is a producer of film trailers
的制作人 母亲是插图画家和 and film marketing and the mother is a illustrator and
平面设计师 在70年代为Diva乐队 graphic designer who in the 70's made posters for the
制作过海报 要是你们有听说过 band Diva among others if you've heard of them.
一旦你进入这个房子 你就可以 Once you enter the house you can begin to kind of
看到它向后延伸 这是贯穿整个工程的 watch it go back. Here's a cross section through
一个横截面 我们试着尝试 the entire project where we are trying to attempt
一种瓦楞状的空间 部分基于 a kind of corrugation of space, partly based on the
想要从现有的房子中凸显出 issue of wanting to reveal the new project from
新的工程 而没有任何意图 the existing house and not attempting in anyway to
与这种四坡屋顶的几何学相联系 kind of connect the geometry of this kind of hip roof.
把必须嵌入的横梁隐藏起来 Hiding a beam that had to be inserted to essentially
去除房子的内墙 使这种 rid the house of these internal walls making this
瓦楞的挑檐底面 kind of corrugated soffit that essentially runs
贯穿整个房子 客户选择 all the way through the house. The clients chose
等待 从这后面开始建造工程 to wait on this bit and essentially build the project
所以在这个宽大的空地建了新厨房 from here back. So the new kitchen essentially in this
显然压缩了 big wide void space kind of compresses space obviously
后面的空间 这种 all the way to the back of the site and this kind of
楼面切割一直往后 穿过厨房 shearing of floor levels all the way back down into
生活空间 向下至新的公共空间 the new public space across this landscape of kitchen,
这是这个家庭 密切投入到 living space, there's the family, deeply connected to
他们美学生活方式的新生活中 their new world of aesthetic lifestyle purging
抛开芭比娃娃和色彩 barbies and colours out of their lives into a
把焦点放在放松和某种纯粹的生活上 kind of focus on relaxation and a kind of purity.
这实际上要求我们做的工程 This in fact was the project that we were asked
决不是一个关于为他们建造一种生活方式 to make in no way was this a project about producing
的工程 孩子可以到处走 a lifestyle for them. Kids floating around and the
电脑能连无线网 这个工程的想法是 WiFi with their Macs, the idea with this project
如果所有的孩子都与 was if all of the kids essentially become disconnected
自动微电子设备分离 through the autonomy of micro electronic devices,
怎样通过这种多代的方式把孩子和父母 how to bring kids together with parents in this multi
聚集起来?怎样使这些设备 generational way? How to essentially have these devices
变成产品景观的一部分 in a way become part of the product landscape that
不疏远或完全分离 而是 doesn't alienate or completely separate but just
变成一个整体的时尚 在这种意义上 becomes an integrated fashion. In this sense we try to
我们试着捕捉一方面通过建筑的 capture on the one hand through the architecture a
一种数字世界的敏感性 一方面 kind of sensibility of the digital world on the one
仍然试着建筑形态 几何 hand and still try to produce forms, geometry,
物质性而抽象的 这会引起情感相通 materiality however abstract which would connect
也会以一种特殊的方式加强生理的联系 emotionally and which would also connect bodily
所以当我们将工程分离时 in a particular way. So the moments where we split
能够引导现有的房子 the project to be able to navigate from the existing
地面抬高 完全是通过 house into a floor elevation that was absolutely given
楼梯的方式 与分区相关的房间长度 by the run of a stair, the length of the room relative
和一种非常庄重的布景 接近于 to zoning and a very kind of serious set of almost near
日式布景的空间限制 顺着原本的样子 Japanese set of dimensional limitations that produce
建造这个工程 我再次感到 the project in a way as it is. I feel like again
这是一个工程我们需要去发掘 就和我们 this is a project that we excavated as much as
去设计一样 发掘可能是个词 we designed. Excavated might be a term for
形容在限定因素下工作或发现那是什么 working with parameters or finding what's there.
回过来看厨房 它是种很好的 Looking back to the kitchen and it's kind of nice
垂直空间 7英尺10高的天花板 vertical moment between a 7ft 10 ceiling, some might
有人可能会说这很低 我们在日本的经验 argue is being fairly low, our experiences in Japan
跟主体和人体工程学相关 使这种规格 relative to body and ergonomics make this dimension
相当舒服 这是新旧房子 quite comfortable and here's the slot of space between
之间的空隙 父母的卧室在楼上 the new and the old house. Parents bedroom is upstairs
带自己的浴室 窗户是绿色的 with a private bath with windows to the green and
外面有树 窗户的形状尤其 the trees beyond, the shape of the windows especially
这里这条特殊的线其实是一种 this particular line here is actually a kind of mirror
珊瑚树的镜子 父母可以躺在床上 of this amazing coral tree which the parents lay in bed
通过这种框架式的棱角窗往外看 and essentially look out in this kind of framed corner
你们可以开始看到这种 window. And you can begin to see the kind of
方式的空间压缩 空间轴是这样 compression of space this way and the axis of space
穿过房子的 moving through the house this way.
很快地过一遍一个实验性工程 Very quickly going through an experimental project
我们2006年夏天在建筑学院建的 we built at SCI-Arc in the summer of 2006. The question
问题是关于光线不是作为一种波或粒子 was about light not so much as a wave or as a particle
但我们的概念问题是光能否总够密集 but our conceptual query was can light be so dense that
以变成固态 把捆绑销售习惯设计的 it can be solid. And bundling custom designed barker
光的固定装置变成一种超大规模的 light fixtures into a kind of incredibly massive
250盏灯的星群 这就是我们的项目 constellation of 250 lights was really our project.
我们想要这个工程一方面 We wanted to make a project on the one hand which was
还是一种结构合适的系统 again about a kind of expedient system of structure.
我们的目标是在最小的结构下悬挂250盏灯 Our goal was to suspend 250 lights with the least amount
在一种系统中可以同时 of structure within a kind of system that at the same
允许这个结构像一种 time would still allow the structure to operate as a
图像设备和2D设备和3D设备 kind of graphic device and a 2D device and a kind of 3
一样运行 这幅图相对地展示了 dimensional device and this image is relatively telling
当从后面打光时你会得到 with the lighting coming from behind and you get
这种轮廓或虚拟二维设备的光圈 essentially this kind of silhouette or halo of virtual
不想HL23的玻璃系统 2 dimensional device not unlike the Fritt system on
但由于它和6个跨度的 HL23 but as it essentially collaborates with 6 bays of
零碎的重复的结构带或框架和纵梁相结合 loosely repetitive structural bands or formers and
在这种特殊情况下有点像 stringers in this particular case a little bit like
飞机机翼 扁平的和以装置为基础的 an aeroplane wing. The relationship between that which
深层的之间的关系 is flat and that which is action based and deep and
以及有时间花在它上面 相较于过时的 has time in it versus the thing which closes out time
只在特殊的固定时刻才存在的东西 and only exists in a particular kind of frozen moment.
这些是我们已经探索过的 These are the things that we have been exploring in a
花了很多年 以一种非常非常热忱的时尚 very very dedicated fashion for a number of years.
这样就以小规模的产业设计工程 And in this case to pull it off in a small scale
完成了它 当你从 industrial design project where when you look at
多种角度看这个工程时 你基本上可以 the project from a variety of angles you can basically
得到一定要点 尤其是在中间 get to certain points especially in the middle where
只有光的地方 即产生这种想法 you will only have light kind of producing this idea
至少在光学视觉上它是固态的 就好像是种 where at least optically it is solid as though a kind
纯致密物质 与此同时 of pure dense extrusion of material and at the same
当你回过头 你会看见这之间有 time when you get back and you can kind of see a lot
很多空隙和很多空间 你必须 of void and a lot of space between this you have to
看出框架和纵梁 而不是喷射物 read the formers and the stringers not the bolts
本身作为传递固体性质的东西 themselves as the thing that is sort of delivering
即使它是唯一一种固体的接线框 solidity even it's only a kind of wire frame of
本质上说它使工程保持 that solid. In an essence it makes a project come
生命力 当你将项目数字化 alive in ways that when you're working on projects
当你将结构模型化 digitally and you model structure and you deal with
当你处理结构的中心线和接线框 centrelines of structure and the wire frames of
等等 必须记住 你知道 structures and so forth one must remember that you
除非是像这样的一个工程 know unless it's a project like this those are only
那些只是关于固体的本质的图表式想法 diagrammatic ideas about the nature of the solid,
这些工程背后跟着有真正的物质密度 there's true material density that follows behind
这是一个事务所和剧院项目 these projects. This is a one half of an office and
我们2004年在比佛利山庄建的 theatre project that we did in Beverly Hills in 2004.
这是Endeavour经纪公司的放映厅 This is the screening room for the Endeavour Talent
我相信它是现在第二大的经纪公司 排在 Agency, I believe it's now the second largest talent
创新艺人经纪公司之后 他们有250名员工 agency behind the CAA, they have some 250 employees
他们是那种年轻而特立独行的公司 and they are this sort of younger maverick company.
我们在三 四层办公 在这栋 And we did offices on the 3rd and 4th floor in this
Charles Luckman大厦 在比佛利山庄 Charles Luckman building in Beverly Hills and in a
在50英尺的街面 我们安装了放映厅和 50ft street facade we installed a screening room and a
待机室 这当然是 pre-function space. And here the task of course was
很受欢迎的工作 我们必须功能性地 a welcomed one in the sense that we had to functionally
在开间安置一个剧院 和这个房间一样大 install a theatre into a bay about as big as this room
有80个座 与此同时 and we have 80 seats and yet at the same time this
这是洛杉矶第一家 became the first only theatre of it's kind to have
唯一的街头剧院 它们通常 any street presence in Los Angles as they're usually
都藏在大型建筑物里面或电影学院 hidden within larger buildings or behind sort of studio
后面等等 我们能够当然是 campuses and so forth and we were able to of course
通过建筑给予Endeavour品牌标识 through architecture give it brand identity to
这是一个增益 一个公共增益 Endeavour that was a augmentation a public augmentation
在私营事务所已经发生了 that was already happening privately happening with
我们做的是2×4的 他们为这个工程 the offices. We worked with 2x4 they developed the logo
开发了整一系列图形装饰的徽标 on a whole series of graphic embellishments to the
所以在这个空间我们有一个20英尺宽 project. So in this formaran space we have a 20ft wide,
25英尺宽的开间 一幢混泥土建筑 25ft wide bay a concrete building, we've got a
下面是一个振动停车库 parking garage below with vibrations, so essentially
所以我们必须在隔间里在建一个隔间 we have to float a box within a box, 4 inches of
混凝土板顶部4英尺的混泥土起拱处 concrete on springs on top of the concrete slab
然后密度极大的干砌墙隔间 and then a kind of incredible dense studded dry
这是一个限制级剧院 wall box it's a TH X-rated theatre. And the premise
前提一方面是这是否是出于利益考虑 here on the one hand was that if this is sort of
一方面从几何学上说 我们说 expedient on the one hand geometrically and let's say
这种级别的情色气氛 特别是 erotic at the level of atmosphere and colour
色彩 三个常规组合条件 specifically, three general sectional conditions
凸显了你停留在这个 kind of articulate the way in which you essentially
空间里的方式 和前门平行 inhabit the space parallel to the front facade you
你进到建筑的第一层 move in to the first kind of layer of the building and
遇到这个区域的隔墙 you encounter this section of kind of partition
这里还没有碰到地面 这是一种 which doesn't quite meet the floor, which has a certain
几何学 你不能从外部学到的 geometry which you can't pick up from the exterior
尤其是这里 在情况清楚的位置上 especially here in a clear story situation where
这个剖面和这个剖面 这些深度和厚度 this profile and this profile and these depths and
都可以看出来 看到没 就在这里 thicknesses can be read and you see that right here.
所以从这个特殊时刻起 结束这项 So from this one particular moment playing out the
私人计划 我们想要四肢和身体 programme of privacy happens we wanted feet and
暴露出来 并四处活动 bodies to sort of be exposed and kind of moved around.
这里我们想要一定量的光反射率 Here we wanted a certain amount of reflectivity
人造的和自然光在这个 of light, artificial and natural to kind of bounce
世界里到处跳动 从大约8英尺降至 around in this world and we go from about 8ft to
7英尺6到入口的尽头或非常 7ft 6 down at the end of this threshold or very
非常巨大的前厅 我们相当着迷于 very large vestibule. We're quite fascinated with
这些超级压缩的几乎像家具的规模 these super compressive almost furniture like scales
在这种情况下所有这些努力 营造一种感官 in which case all of these efforts to produce a kind
形式的努力能被充分感受到 它们是肉体的 of sensuality of form are super felt, they're bodily,
超级人体工程学的 你们总会遭遇 they're super ergonomic, you're brushing up against
它们 所以2D和你的感受 them all the time and so the relationship between the
之间的关系经常是很冷静的 2D and that which you feel quite often dispassionate
因为你无法触摸它 因为它是 about, because you can't touch it, because it's
幻想 虽然你也许会在那一刻 illusionistic even if you may be interested in the
对电影感兴趣 这把 movie at that one moment. This sort of brings
建筑带回到一种关系中 相当大规模的 architecture back to a relationship that is quite
关于物质 关于肉体和 massive, quite about stuff, quite about the body and
那些关于生活体验的事情 those things that are about the lived experience
显然建筑提供了这些 that obviously that architecture sort of provides.
这里你们可以看见天花板上的条状物 Here you can see the way in which these strips in
实际上那里有个小小的接缝 the ceiling actually there's a small reveal that
你几乎看不见 在后面一些照片中会看见 you can barely see and you'll see it in a couple of
这其实展示了3条带 photographs that actually show the three bands moving
穿过天花板 但其形态是我们确实在 across the ceiling but the morphology we are really
寻找的 是非常当地的形式汇集 looking for are very local form eruptions here
这里很明显瓦刀制作了这种螺旋形移动 obviously the slice to kind of make this spiralling
对于更清楚的情况或在这种条件下 move for the clearer story or in this case a kind of
以一种颜色覆盖剧院 并 colour which literally wraps around the theatre and
截去棱角 我们用它作为一种交互 is truncated and we use that as a kind of interact
光源 这是接头之一 你们看到 light source. So here's one of the joints that you
从中央穿过 天花板上所有 see running down the centre of the space all of the
其他种类的质地 other kind of lunar qualities to the ceiling are very
都是有意图的 这是内部空间 very purposeful and here's the interior of the space.
好了 我要加快速度了 Ok, I'm going to pick up the speed a little bit since
因为Slipstream是我们现在在亚洲做的 the Slipstream is what we are in right now in Asia
我会非常快地给你们展示一些我们正在 and I'll show you very quickly a number of projects
进行的工程 亚洲就是关于空间 关于 that we are doing. Asia is about space, it's about
全球空间 关于地区性空间 这样来说 global space, it's about regional space and in this
俯瞰广袤的东京 它也是 case looking out over the vastness of Tokyo, it's also
关于全球空间和金钱和 about the ways in which global space and the space
精神的空间 基本上开始聚焦于 of money and mind basically begin to converge optically
空间内主体之间的关系 in the relationship between bodies in space, cohering
一方面和他们在日本做的相协调 on the one hand as they do in Japan in a kind of
以一种有组织的方式 变得不连贯的和连贯 organisational manner becoming incoherent and coherent
每个人都在议程之中 在涩谷这种商业 everybody is in agenda, moving identity across this
景观之中改变认同 kind of commercial landscape here in Shibuya.
亚文化和认同正在改变 冲撞 Subcultures and identities are moving about and crashing
这种噪音中 在一种形式高度一致的 about in this kind of boshien cacophony a kind of hyper
不一致性中 在东京或者香港 consistent form of inconsistency in the nature of
的本质中 在某种大型企业 Tokyo or in Hong Kong at the base of the kind of
汇丰银行 培训项目的基础上 mega corporate foster project the HSBC bank where
在星期天下午 城市当中所有的 on Sunday afternoon all, seemingly all of the
菲佣聚集在 Philippineo nannies in the city gather together
大楼下面吃午饭 聊天 under the building to have lunch and kind of talk.
对这种紧张局势很感兴趣 还有 Very interested in the tension and the relationship
主体物质性的关系 主体在空间的 between physicality of the body, the body moving
迁移 主体偶然的 through space, the body clustering in haphazard ways,
不定方式的聚集 涉及到一种 in unpredictable ways in relation to a kind of
构造学 一方面在这种情况下非常 tectonics that on the one hand in this case are
我们说不可变的 我会说相较于 very let's say immutable I would say versus our
我们的工程 我希望能多变一点 project which we hope become a bit more mutable also
达到距2D世界 to the point of the one meter between the world of
幻想的世界一米远的程度 the 2D, the world of the illusion, the mesmerising
这个迷人的工程所有都不可以被建筑师 project of all of that can not go unconsidered by
忽视 至少在我们事务所 因为也许 architects at least by our office because it might
鉴于禁忌 你知道 或者鉴于逻辑 be taboo to say you know or maybe logical to say most
大多数人在风格上花时间 people spend their time in that mode rather than
而不是为建筑的形式而着迷 fascinated by formalisms in architecture. How can we
我们怎样才能将建筑变成一米的空间 slip architecture a bit into that one meter of space
所以我们已经在做的很多工程都 and so a lot of the projects that we have been
非常非常集中在一米的空间 working on focus very very dramatically on about a
而内部各不相同 meter of space within various interiors. Where here in
这里在香港的一个火车站 Hong Kong at a train stop being able to witness more
通过门上的窗户能见到更多广告 advertising through the windows of the doors,
一直到陌生人和更多 all the way down of course to stranger and more
有趣的关系 这是理想国 interesting relationships between this is the utopia
或非理想国 这是另一种类型的理想国或 or the dystopia, this is another type of utopia or
非理想国 他也许在看或这可能在解读 dystopia, and he may be looking or he may be reading.
看和读的问题 娱乐和 The issue of looking and reading, the nature of
寓教于乐的本质 我们在提问你知道 entertainment and infotainment, we're asking you know,
建筑参与了什么 它是怎样参与的 where does architecture participate and how does it
只是作为一个沉默的目击者么? sort of participate, only as a silent witness?
还是作为某种广告的支持者? As some sort of prop to advertising? And how to
怎样超越任何愤世嫉俗的建筑观点或 get beyond any cynical idea of architecture or
一种道德的阻力? a kind of moralism of resistance? These are our
这些是我们在自己工作中的思考 speculations in our own work and the space of a
在沉寂的理想国或神圣的空间中 kind of drowsy utopia or in the space of shrines,
在工作环境下工作 working within working environments.
在中国一个叫宁波的城市里 有 In China, in a city called Ningbo a city of 6
六百万人口 可能你从没听说过 million people perhaps you've never heard of it,
中国有很多很多有六百万人口的城市 there are many many cities of 6 million people
除了上海 除了成都 除了香港 in China, beyond Shanghai beyond Chengdu, beyond
大型企业为13亿人口提供住房 Hong Kong, massive enterprises housing 1.3 billion
这些是在中国可以看到的景观类型 people and these are the types of landscapes one
在宁波 像很多城市一样 sees in China. And in Ningbo like many cities
会有一个或若干完整的再次送电区域 there's an area or areas of complete re-energizsation
一方面这些不可思议的细长的 on the one hand with these unthinkably tall and thin
平板建筑坐落在公园里 会引起 slab buildings sitting in parks which invoke a
一种特殊的规划 对我们也许有用 particular type of planning which may or may not be
也许不再有用 关于同样的塔 useful to us anymore in relation to the same towers
回去二 三百米 我们看到这种 backing 2 or 300 meters out we see this kind of
景观 我们在进行的工程是 landscape of which the project that we're working
一部分 一条现有的水道 板式塔 on is part of. An existing canal, the slab towers a
在这里 这是一种世界 bit over here, and this is the kind of world,
当然它会被清理干净 and of course it will be simply scraped clean to
能够提供给这些新项目 be able to provide for these new projects.
我们和Shiguma一起做一个项目 We're working on a project with Shiguma who Tom
汤姆说他很快会来这里演讲 可能几周后 told me will lecture here soon, perhaps in a few
他可能会展示他们在宁波 weeks and he will probably show this project in Ningbo
在建的项目 非常非常大的工程 they're in construction on a very very large project
邀请了大量建筑师 there and a number of architects have been invited
做小型展馆 用于商业和娱乐 to do small pavilions to do commercial and entertaining
就沿着这条新的水道 会建在这里 along this new canal which will be installed here,
无疑地 他会说这只是给 admittedly and he would say this is just simply a model
市政府的一个模型 这是我们的工程 to the city officials. And here's our volume right
这里所有这些种类 here all of these kinds of standing patterns.
所以我们的工程是很小的一个了 So our project is quite a simple one, it's a ground
它是1层租用空间 3层酒吧 floor of lease space and a 3-storey drinking
4楼市屋顶板 establishment with a fourth floor for a roof deck
当然我们提供了非常非常高的防护 which of course we provide with a very very tall guard
所以如果在这里喝太多的话 here so that if too much drinking goes on here,
我猜你可以到水道里去 但是 所以我们的 I suppose you can go into the canal but. So our
工程在很多方面在几何上是相当简单的 project in many ways is geometrically quite simple,
我们给出一个规划构造 是修正过的 we work with a plan configuration that is trimmed and
是本质上很具体的方法 把一系列 a very specific way at the bottom put together with a
不锈钢板拼接起来 做成一种 series of stainless steel panels making a kind of
遮雨篷 在非常非常直接的 rain screen on top of a very very straight forward
钢和玻璃街面建筑顶部 steel and glass store front building. So stairs
楼梯层叠上来 在这种瓶型建筑的 sort of cascade up in this kind of upper half of this
上半部我们有这个中心芯板 bottle shaped building we have this central core
只有4个支柱和对角线支撑 and only 4 columns with diagonal bracing which will
这将产生结构性的刚度 可以在 produce the structural rigidity and will cantilever
两边利用悬臂支撑 这是门面玻璃 essentially on two sides. Here's the store front glass
简单地安在混凝土板的顶上 我们 which simply sits on top of a concrete slab we make it
把它建得很经济合算 然后我们投资了 a very economical building and then we invest most of
大部分的精力和大部分预算到雨篷 the energy and most of the budget to a rain screen
和一个系统垂直支撑水槽 那让 and a system vertical carrier channels that allow
这些三维冲压的钢板 这些将 these three dimensionally stamped panels which will
有可能来自布宜诺斯艾利斯的同一家公司 probably come from the same company in Buenos Aries
因为他们还不能成形加工 because they are not yet capable of forming the
我们在中国需要的很深的钢板 panels as deep as we want them in China. And the rear
楼的后面也是一个主要的轴心 of the building which is also a main axis point and
所以我们已经从地面抬升了 从基础上作了 so we've lifted up off the ground and trimmed it at the
修整 为非常非常特定的人体工程学时刻 base for very very specific sort of ergonomic moments.
我们在亚洲最大的工程是在哈萨克斯坦 Our largest project in Asia is in Almaty Kazakhstan
的阿拉木图 这是世界上最大的 it's a country of, it's the largest country in the
内陆国家 很明显 world that doesn't touch a body of water, it's
它和中国相邻 它和中国太像了 obviously adjacent to China and it too like
它把阿拉木图整个区域都清干净了 China it's scraping whole areas of Almaty clean,
我们是在一个很大的地址 我就不给 we're on a very large site and I chose to not show
你们看环境了 因为环境对特定的 you the context because the context actually doesn't
在某种程度而言并不重要 因为它清理得 matter to a certain extent because it's being scraped
非常干净 那里外围都是设计得 literally clean. There are very poorly designed
很糟糕的建筑 有一个例外 buildings around the periphery with one exception
我猜 这幢大楼大概20米开外 i suppose and there is a twin tower literally about
有个双子塔 是福斯特建筑事务所 20 meters away from this building designed by Foster
设计的 我相信马上就要开始建设了 and Partners which i believe is entering construction
我们有个规划 10万平方米的事务所 soon. We have the programme of 100,000 square meters
和南部12万平方米的成套公寓 of office and 120,000 square meters of condominium to
基本上是这个方向 the south which is essentially this direction,
我们有很飘零的雪山全景图 we have panoramic views of very beautiful snow
所以我们有尝试为每一个要求的 mountain range and so we have tried to set up per
客户设置尽可能多的 the request of the clients to set up as much view
观景走廊 这些都是单元里的楼层 corridor obviously as possible these are all floor
所以它不是双重负荷的情况 through units so it's not a double loaded situation.
这里你们看到事务所大楼的 And here you see the elevation relationship between
立视图关系 地基有点下陷 the office building which has a kind of pinched
各种桥连接了典型的 footprint, a series of bridges which link the typical
购物商场和顶部的天台 shopping mall base and the constellation of slabs
这都是可操作的基本框架系列 on top. This is all an operable series of envelopes
强调了传统的阳台地位 punctuated by more traditional balcony figures
这里顶上有平台 风车和 here with sort of enmity terraces, windmills and
太阳能板 我们的工程一方面 solar panels up on top. Our project on the one
在美学上是试着制造某种 hand aesthetically was to try to produce a certain
不同 并仍制造一种 kind of differentiation and still produce a kind of
令人着迷的东西 所以这里我们使用了 mesmerising homogenate and so here we are using a
陶瓷玻璃 这都是可操作的 ceramic Fritt in the glass this is all operable white
漆白铝板 这些开口其实 painted aluminium panels, these openings are actually
相对很大 它们是2米宽乘以4米高 relatively big, they are two meters wide by 4 meters
它们实际上比一层楼要高 tall they are actually taller than a single floor,
也抛开了这些楼层的规模性质 that also throws off the scale nature of the floors
所以我们想要很清楚地揭露 so we want to be very clear about revealing the grain
这里住房工程的特性 掩盖掉 of the housing project here, and disguise the grain
它的特性 以和这里的特性相符 展现它 of it here, and match the grain here, reveal it there.
我们有16层高度的限制 我们开发过 We had a 16 storey height limit, we had explored
塔的工程 在这个工作之前的6个月 tower projects for the first 6 months of this work,
客户确定他能挑战 the client sure that he would be able to challenge
哈萨克斯坦的政治 因为一切都 the politics of kazakhstan because everything is
基于影响 贪污受贿是实在的 based on influence and graft to be quite honest but
但显然两者都不行 apparently couldn't generate enough of either
所以我们必须继续16层的工作 one so we had to work back to the 16 stories.
最后我要快速讲讲一些银行工程 Finally I'm just going to run through some bank
在我结束演讲之前 projects very quickly before I end the talk.
这些事在日本 这是为三菱联合 And these are in Japan, this is for Mitsubishi United
金融集团做的 我们设计了一些了旗舰银行 Financial Group we designed a series of flagship banks
和一系列扩展获得 我要给你们展示 and a series of expansions and I'm going to show
我们做的3个旗舰工程 you three of the flagship projects that we did.
这个工程是我们做的第二个 This project was the second one that we did,
它们都是整修工程 这是在一个大一点的 they are all renovation projects, this is in a larger
事务所大楼的2层 一楼是 office building 2 storey space. The ground floor is a
ATM大厅 楼上是私人银行业务办公室 ATM hall and the upper floor is a private banking
私人业务是种新的 office, private banking is essentially the new kind
全球规范 这种方式接待 of global paradigm for the way in which more wealthy
更富有顾客 银行正变得越来越 customers are treated. Banks are becoming more and
像俱乐部 那里不是大量金钱交换 more like clubs, there isn't so much money being
而没有理念的交流 关于要诚信 exchanged except ideas talking, speculations on what
做事的思考等等 所以我们选择 to do with trusts and so forth. And so we chose in
在名古屋这个城市 在日本的中间 this city of Nagoya in the middle of the country in
在Contsai和Conto区之间 有点像 the middle between the Contsai and Conto regions a bit
芝加哥 一方面 of a Chicago if you will and identity about on the one
发现它们的形象 同时 hand finding their identity while at the same time
也在考虑第二个城市 像大阪和东京 struggling as a kind of second city to Osaka and Tokyo
但它们的城市印象就像我们被告知的 but their impression of the city as we were told and
像我们要设计的是一种新的典雅 as we were to design to was of a kind of new elegance
一种世界品牌形象 a kind of world of brand identity fashion brand
时尚品牌形象等等 不是最激进的 identity and so forth not the most radical ones only
只是种可接受的 例如LV the kind of acceptable ones such as Louis Vuitton for
所以我们在那个规则下工作或劳动 instance and so we had work or labour under that
建了这个街面 工作一方面 rubric to make this facade. Work on the one hand
作为一项具有挑战性的硬件 同时 as a challenging piece of hardware and at the same
变成一种潜在的异国风情的 看起来 time become a kind of potentially exotic seeming
异国风情的建筑 这会吸引人 exotic looking building which would attract and
它其实是那些情感 我们的工程 it's in fact those emotions that we had to come
必须达到并争取的 我们有个玩笑 at the project and argue for. We have a play between
激进的深度 在这种情况下 radical depth and in this case the way in which the
两个前厅 楼上一个 ATM大厅一个 two vestibules one upstairs one in the ATM hall
从5毫米的钻孔上漆钢 transforms or morphs essentially away from 5mm
转变为这种形态 perforated painted steel to this kind of morphology
这种前厅 这里我们有 这些事 this kind of the vestibule. Here we have, these are
铝铸板 有3块 aluminium cast panels there are three of them that
那允许我们做这种工业设计 allow us to essentially make this kind of industrial
正式的工作语言 其余的 design, formal language sort of work the rest of it
是二维冲压的钢轧件 is two dimensionally rolled pieces of steel all painted
都以同样方式上漆 这是幅一楼的图片 in the same kind of finish. There's a view into the
ATM大厅是一种蓝绿色的 first floor, the ATM hall is a kind of blue and green
水世界 这里我们改了很多很多次 aqueous world where we were given much much more levity
想着吸引街上的顾客 to think about attracting customers off the street.
同时这个计划 你会看见它重复了 Meanwhile this plan and you will see it repeat a
几遍 对于我们是非常非常基础的工程 couple of times as a very very basic project for us.
在日本巨大的混凝土建筑 Enormative concrete building in Japan, very very
非常非常直 沿着边缘有一架自动扶梯 straight forward, we have an escalator along the edge,
它从过厅空间移动回到休息室 it moves into circulation space back to a lounge,
周边我们设计了定制家具和 where we designed custom furniture and consultation
咨询室 一方面是非常非常 rooms at the periphery. Very very straight forward
直接的计划 有很多方法可以考察 plan on the one hand and in many ways this exploration
人体工程学关系和主体之间 of the ergonomic relationship between the body,
在空间中的主体和 the body in space and the body between essentially
主体和一米空间之间 因为我们正在处理 about a meter of space because we are dealing with
非常压缩的规格 剩下的工程 very compressible dimensions. The rest of the project
尤其是天花板 就像一大块 especially the ceiling works as a giant piece of
工业设计 使用放射状的外观 industrial design using radial profiles,
使用高对比度…… using high contrast between....